In a video on Migliaccio, Lima Duarte laments the “devastation of the old” and the dictatorship – Jornal CORREIO



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Actor Lima Duarte, 90, paid tribute to his colleague and friend Flavio Migliaccio, 85, who was found dead on Monday morning (4). The veteran recalled the period of repression that they and other artists suffered during the military dictatorship, between 1964 and the first half of the 1980s, and cited a time when it was led by members of the regime.

“For having lived through this moment, I understand you, Migliaccio. Now, when we feel the rotten breath of 64, the terrible breath of 68, now, 56 years later, when they promote the devastation of the old, we can no longer do it,” said Lima. Duarte, in a homemade video, that lasts almost 5 minutes.

“I, like you, am from the Arena Theater, with Paulo José, Chico de Assis, with (Gianfrancesco) Guarnieri. It was there that we learned from (Augusto) Boal that it was necessary, it was urgent to put the Brazilian on the scene.” “he says in the recording, citing the legacy left by the actors, writers and directors who brought the” Brazilian soul “to the stage and, later, to the screens.

“I didn’t have the courage you had,” he said, without saying what he wanted to say. Still criticizing the dictatorship, he quoted theater author Bertold Brecht, saying that “those who wash their hands do so in a container of blood.”

Look.

Migliaccio was found dead on Monday morning (4) on his farm in Río Bonito, Rio de Janeiro, after committing suicide. He acted in the theater scene of São Paulo integrating the group Teatro de Arena, in the 50s.

In a text published on Facebook this Tuesday, the actor’s son, the journalist Marcelo Migliaccio, wrote that his father, who “could no longer bear to live in a world like this and feel his body deteriorate rapidly and irreversibly through old age” .

“Little did he hear and see. “From now on it will only get worse,” he told me as he looked for all possible arguments to show him that he still had many good things left, “added Marcelo.

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