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If you have not seen it on television, which is excluded, you will definitely have seen it in the cinema, perhaps in the last few. “Ballad of the Pierced HeartFrom Giannis Economidis and if you haven’t seen him in the cinema, you will surely have searched for days to find a coveted ticket for the sold-out show “Humans and mice“Or you may have asked someone to give you their place in -he ran out again-“Father». And if you don’t know him as a person who has, for years, left his stamp – as an actor, director and creator – expect to see him steal the show as a tough director of Prison on television.Wild beesAnd as the one that threatens to invade Eleni’s life, essentially taking over from the protagonist from Giannis Stankoglou. The reason for Vassilis Bisbikis, which for some reason everyone mentions in their conversations as an example of inspiration / endurance / setback, since everything shows that this – but also the following ones – is definitely their year.
It is no small thing to think that one person is enough to lead the most diverse public (anarchist students, ladies from the northern suburbs, theatergoers, wanted) in the middle of nowhere, in Botanical and the Technopark poster. At least that’s what happened all last winter in the play directed by Vassilis Bismbikis “Humans and mice“A harsh metaphor for Steinbeck’s work in modern reality, which surprised and fascinated with its truth. Little by little, the fierce texts of the toughest theater critics, word of mouth and awards came to convert Bisbik and his team in the most prominent and discussed theatrical case study of last year The actors of the Cartel team, whom he metaphysically guided as an anarchist-realist director, that is, Panagiotis Souli Y Faye tzima, seemed to follow the rhythm of a creator who knows that to conquer the public he must bring every drop of his blood to the stage. Son of reality, he knows that the spectator who laughs sooner or later will smell anything false. If so, something caused the world to approach Bisbik like a maniac, forgetting all these scholarly analyzes of the “monumental representation“OR”Hidden meaning“Was there someone speaking in their own forgotten and aggrieved voice without misleading foreign standards and without even trying to be somewhere or something nice?” As a result, the deliberate amateurism, which allowed him to emerge as a so-called improvisation, stemmed from a deep awareness of his role as an actor and creator, from the fact that he knew he had to play skillfully on both boards. So if the Marlon brando he sophisticatedly licked the butter off the floors and his mistress’s body in “Last tango in Paris“Transferred to the modern Greek universe of the co-capital, Bisbikis was uniquely surpassed as a fatal Kowalski in”Bus desire»On the KTHBE stage, one of the first roles that will make you stand out. Since then, very few of those who had seen it have forgotten it.
Successful experiment
Realism and magic were, after all, the two components of his “Bus” Tennessee Williams – and they are the same as Bisbikis highlighted in his later performances. Recent test «Mice“: Makeups, tricks, imitations – or this obnoxious term ‘new trends’ – were kept away from the play; all here was for the actor to reveal his truth. And the experiment was successful: now Vassilis Bismbikis can afford to be glad that he did not Only the art was justified in his self-esteem, but that he can practice it on his own terms, exactly as every actor dreams of and as any actor would like, who likes his work. “What I want is for my actors to have a good time and be happy with what we do”he says over and over again, confirming his belief “I am happy with your joy”. Now he has another reason to be happy, since he has his own roof, where this year’s productions of the Cartel technology space will go up, a new industrial space in the Renti area, owned by Onassis Foundation. There, in this new space provided by the Foundation, “People and Mice” will go up again and then “Red Lanterns” will follow, the first work he saw in his life. This is a queer version, starring drag queens and real scenes that Bisbikis had seen and experienced up close in several of these places: from the “Dolls” to the famous “Hawaii” in Kerameikos.
After all, he’s not one to be afraid of rolling in the mud or getting dirty if necessary.. The relationship with the land is fundamental to the immediate world of Bisbea. Even in summers, when others are looking for exotic beaches, he runs to the Aptera Chania mountains to meet his friends from far away villages, the shepherds of Crete, “My own people”, as it says. If you ask him, he will even say that he is proud that he will finally be anointed citizen in Megala Chorafia –“Not for any other reason, but because I wondered.”-, the only honorary distinction that he has ever asked for so that he can now be characterized by parliament Cretan. In fact, he’s from Smyrna, the innate goodness obviously comes from there, with two parents fighting their own battle for the survival of ideas. From the guerrilla grandfather he took faith in the ideals of sobriety and friendship, from the footballer’s father the similarity of life with a constant battle that simply has to be won. It is not that he could not have found himself on the other side of the people he loves to revive in the theater, who have lost all battles and are left alive and dead far from redemption. As a man who has always flirted with extremes, many times he had to thank his luck that saved him from death or to see himself come out safe and sound with surprise. It certainly wasn’t easy for him, but neither would he be carried away by convenience. Believing in the saying «Violence is the mother of historyThe one he invokes when others like abstinence, he preferred to put it at the center of the worldview he mounted in the theater: violence pulls the strings, violence loosens them. He has, after all, the focus that will focus on the conflict and not on the member, on the reality that hurts and not on the one that caresses.
PHOTO: William Faithful
“Flowers for the lady from me” At the end of the day, it is not a song that is heard in the expensive restaurants with the tablecloths glued, but in the cheap bouzouki, full of people who know, at least, that false feelings do not flutter here. They have to be authentic enough, like in your friend’s movie. Giannis Economidis -in the movie he starred in- since they too are always paid dearly and almost always in blood. This was also seen in the play “Father”, an adaptation of Strindberg’s play of the same name, which makes his “Fang” Λάνθιμου look like a kindergarten. The experiment might have seemed paradoxical if it had not detected this power in the texts themselves: in Strindberg, Steinbeck or Dostoevsky, which inspires his next theatrical project, after “Red Lanterns”, which will be based on “Crime and Punishment”.
Taken from life, both have nothing to do with the artificial flirtations one sees in theaters. That is why the young Vassilis did not distinguish the art of life, when he began to imagine plays and scripts or when he directed his companions in the amateur Loutraki team, inspired by everything he saw in the Shadow Theater. He Karagiozi He still loves it, like the circus, the buns, all these anarchic groups of actor-accomplices who traveled the world to show their art. So he brought the other kids together from a very young age and made them bring out the deepest part of themselves – even walking around with glasses! – because he convinced them that the role required it. Not by duress, but by this treaty that allowed joint improvisation, something that still stands. The power of the company and the empire of the common condition will never leave the man who returned the power of the collective to the forefront, breaking the vicious narcissistic cycle that wants the inspired and lonely directors and the oppressed guerrilla actors. In addition, that is why he also began directing: be able to free the actor from the shackles of coercion and release the forces that the most gifted and talented in the field always have in them.
With Vicky Papadopoulou in “The Ballad of the Heart of the Hole”
Your course
This was noticed by him Thasos Roussos, then director of his School of Drama National theater, when he saw him in an amateur performance of the Loutraki team and urged him to go to the National. But since she had dropped out of school, she decided to go to the cheapest school that didn’t even require a high school diploma, Mary Vogiatzis-Traga’s, and that’s where it all started. Very soon talent, luck and destiny will lead him to our greatest tragedy. Anna Synodinou, with whom you will collaborate and learn what the heart of theater, classical education and effort means. But there will be other teachers who will leave their mark on you, like Andreas Voutsinas, the man from Actors Studio, who will teach you how to unlock the hidden forces and especially how not to listen to what others will impose on you. Since then, the observer’s gaze remained intact, despite mediations. He trusted her and followed her in everything she did, from theater to television, with the director’s excellent series for a child with autism “The Word You Don’t Say.” Theodore Papadoulaki. Since working as a group manager at the Loutraki Casino, he has been taught what it means to be on the edge watching people get destroyed overnight, while since working in construction he has learned what it is like to bear and lift loads and working just for a living. That’s why he made sure to only do a job he loves and doesn’t get bored, no matter the price. As the son of a footballer and fan PanathinaikosAs a later son of the Exarcados, the city and the center, he knew how the experiences and the rules that exist are made to reconstitute, to become something else, to possibly lead you to nowhere or to the unknown.
Somehow he got here, paradoxically safe and sound, as he would say, despite the adventures, willing to show that when you are an actor, a creator or when you love the theater you are not afraid to try different genres. Breaking the barrier that wants things to be separated between the “cultural” treatise and the “general” public, he created his own idiosyncratic world, where Steinbeck’s “People and Mice” and “Wild bees». After all, cliches and labels that are enough to identify other people’s clothes probably won’t stick to yours; Although seemingly furious and with a life on the brink, a homeless man, unsurprisingly, actually has a family. He has been married for 15 years and is the father of a 7-year-old boy. And although rock in theory, it does not disdain anything folk: Greek songs, parties with Mazonakis with whom it maintains a deep friendship, nightlife. From there it started and comes back each time it has to find the answers to the next question. How did Baudelaire say that? “You drink incessantly, wine, poetry or virtue, whatever you prefer.” And Vassilis Bismbikis knows it better than anyone.
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