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He expressed his own position with a text on his Facebook page about what is happening in recent days in the theater and the complaints that have come to light, the Nikolas Androulakis.
See his post below
Did we learn something?
So much violence, so much exploitation, so much perversion, so much by our side, so much between us. And we are still at the beginning as it seems. And does the premise of so many of you artist friends end up again in blatant pagan speculation of interest for the thrones of power? Is it like television reality? On the backs of abused children and sick rulers?
Anyone who really cares about Nikos and all Nikos (I read Eliana’s testimony five minutes ago), let him admit that our entire value system must be shaken, in art first and across the spectrum of society later. If we want art to serve its purpose, let’s put up with it. It will be the greatest show of our lives. This means, after all, the word I am present at its core. Without a yes but. With musical chairs on thrones and cliques and power shops, we’ll always end up there. Power has no sex or age, when the institutions are rotten and there is impunity in the curtains and in the basements.
Therefore, not a director of the National Theater for a quick “sensation” of change or because she is our friend and we will accept commissions, nor a male director to slap the perverts, nor a young director for not having time to do something. wrong, not a director grandfather to tell stories of the good old days of disguise.
Let no one accept the artistic direction of any National until the minister resigns, first of all! And hold the prime minister responsible, for all these power companies, at a time when people have been locked up in their cells indefinitely, to see their misery live.
No one should agree to direct or play in a play in any National until, to begin with, the State institutionalizes a new framework for its purposes and operation. With a new mission, more humble and more universal, artistically and socially, instead of spending millions to build impressive careers, when homeless people sleep in the streets and pinch themselves in misery, around all the buildings of the National, to play in the neoclassical urban. events with stories of others, somewhere far from us, in space and time. So are we really moving forward? We can; We want; This may be historical.
But will we hold on if we have something to lose? Directly or indirectly. Our shot or our ambitions? Suddenly guys now and “we knew”. And it is obvious that many people were silent out of real fear. But also many for lukewarm political and professional reasons, because most circles and power wells of powerful bodies have dirty nests. Respectively, on the other side of the same mirror, the silence of hitherto lazy artists and actors on social media is resounding. And it says a lot.
Let all this be at least a change acupuncture. It doesn’t matter if someone shouts or shouts. What matters is what is at stake. There will be daring or complicity. #Eimasteoloimazi is not judged on black and white photos but on brave acts of solidarity.
Leave the Nacional temporarily headless. No artistic director. But it is possible? If it is! Structure the permanent staff a coordination team for the basic needs of operation and so on. Silence. Pause. A pause, heck, to meditate! A symbolic act. Something. It is not possible to “roll” the thing again. People cannibalize in exhausted conversation or sneeze. Do we understand what happened?
And the same happens from churches to universities. Decades Centuries. Can we bear the historical conjuncture? It is not possible to wear the same clothes in another way and continue as a society. Naked humility and patience. This is how fate will change.
Do we dare?
