The Wendler case: an economic tragedy



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reMarkus Krampe’s phone is ticking on Friday morning. Krampe is the managing director of Pro Event Entertainment, which he believes to be one of the most successful event agencies in Germany. Krampe organizes “live events” of celebrities such as Lukas Podolski or Lothar Matthäus to “improve” the events; Artists from the fields of Schlager, Pop and the 90s can be hired through him, including “Corona”, which at that time was not yet a pandemic virus, but an Italian band.

Stefanie diemand

Thiemo Heeg

One of its main clients is causing great concern for Krampe: the “King of Pop Hits”, Michael Wendler. Based on his most recent statements, it is more than doubtful that Wendler, as Pro Event has put it so far, “will continue to generate absolute buzz with every appearance.” The singer of popular hits like “She loves the DJ”, “Egal” or “Ein Zelt auf Westerland” has been marginalized economically and socially in a very short time.

On Thursday evening, the 48-year-old trained freight forwarder let fans know via the social network Instagram that he was leaving the “Deutschland sucht den Superstar” casting program as a jury. Wendler justified his decision seriously with the crisis of the crown. In this context, he accused the federal government of “serious and serious violations of the Constitution and the Basic Law.” And the television stations, including his home station RTL, accused them of being “aligned” and “politically controlled.”

An economic tragedy

A surprise for many in Germany and “a shock” for Krampe, as Krampe put it on Oliver Pocher’s RTL show “Dangerously Honest”: “For me it’s sick.” There, the manager spoke about the “human tragedy” of the man with the “career that was not small”, but that probably ended “with immediate effect” with a view to 15 lawyers who wanted to terminate contracts.

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