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The return of ‘To another level‘after the break required by the pandemic It started with its juries showing off their talents. The three left on stage a performance of the song ‘Gracias a la vida’, scored by Violeta Parra.
It drew attention that Paola jara, Greeicy Rendon Y Noel Schajris sang without masks – vital in times of coronavirus-. Instead, the production of the show had transparent acrylics around the microphone to prevent the spread of droplets of saliva.
In social networks they did not miss the unusual measure, which was also implemented by the participants, and they made several comments about the protective surface.
On Twitter, mockery abounded, they asked about biosecurity measures, but also they questioned whether the plastic surface really served to prevent infection with the virus.
Comments on the presentation in ‘A otro Nivel’
Someone to explain to me about the flying saucer as a biosecurity measure #OtherLevel
– Laura Hamman (@Lau_Hamman) February 4, 2021
I understand that they have to play the clown of the fictitious biosafety protocols, but why did they have to make the microphone sheath transparent? The dirt is the protagonist in #OtherLevel
– Unatelevidente (@unatelevidente) February 4, 2021
#OtherLevel giving us a test of how to make a program with biosafety protocols? Will they be enough?
– Fay Buitrago (@fayBuitrago) February 4, 2021
The microphone of #OtherLevel
– Yonathan Mejías (@yonathanjmv) February 4, 2021
The idea is that the microscopic droplets get trapped on the screen instead of flying all over the stage #OtherLevel
– Hadapurpura (@ hadapurpura1) February 4, 2021
Biosecurity measures in ‘At another level’
In an interview with Vegetables, singer Paola jara He said that there will be no masks because singing with him is very complicated. However, he said that in the Caracol Canal they have been very strict with biosecurity measures and, above all, with distancing.
Regarding the microphones, he assured that the Surrounding “spheres” inhibit the saliva that can come out when singing.
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