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Uribe Noguera was sentenced to 58 years in prison for the rape and murder of the 7-year-old girl Yuliana Samboní, on December 4, 2016, and El Tiempo reported that the inmate is in the so-called ‘pavilion of horror’, a place where criminals such as Luis Alfredo Garavito and Jhon Jairo Velásquez alias ‘Popeye’ have been.
There, according to the newspaper, the confessed rapist and murderer he spends his days “making plans, models and crafts”, activities with which it seeks to reduce part of the sentence.
One of the Inpec officials, quoted by that medium, detailed that Uribe Noguera has special security and surveillance measures, that he spends most of the time “in his cell” and that “he cannot go to common areas”:
“He has the same conditions as Garavito and the high-profile inmates of the prison,” he added.
‘La Tramacúa’ is one of the safest and most rigorous prisons in the country, and in the review made by Inpec, on its website, it is read that it was inaugurated in April 2000, that most of the pavilions are high security and that the US Federal Bureau of Prisons (BOP) participated in the design.
Uribe Noguera was transferred to this prison in 2018, after it was reported that several inmates had tried to lynch him in the infirmary of La Picota prison.
W Radio revealed, in 2016, several photos of the cell where the renowned architect by profession and son of a prestigious family in Bogotá was being held.
Rafael Uribe Noguera lowers sentence for crime of Yuliana Samboní
The behavior of inmate Uribe Noguera in that prison in Bogotá earned him several “recognitions”, and the Investigative Journalism Agency (API) reported, in March 2019, that authorities described his conduct as “exemplary” and that for that reason they lowered a month, 9 days and 12 hours.
After that, according to the API, “new recognitions came for Uribe Noguera (who was processing 12 benefits). On March 11, 2019, a second redemption of sentence was approved. This time of a month and 12 hours, as the Inpec reported that it had worked 488 hours on paper and that it had begun work in artisan productivity circles”.
Thus, with hours of study and work making handicrafts, the inmate tries to redeem part of the sentence, while the new tenants of the house where Yuliana Samboní and her family lived, in the Bosque Calderón sector, believe that the “Her presence” is still there.
“Sometimes things are felt: the heavy house. Nothing has changed, perhaps there is her presence here, although I never met her, but her story did impact me, “said Yohana, a young Venezuelan, in dialogue with Blu Radio.
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