Pam Beasley gives a different look to Ka Mera during her time Office. It looks like a sack that encloses with a drawstring Are you kidding me Is this really happening? It gives the camera a sneaky look when it’s something naughty. And, most likely, it flashes to the camera that signs the palm smile.
According to Jenna Fisher (the woman behind the palm), when the cast gave the Marrow look, they were actually acting To Someone and, often, the person behind the camera mera reacts literally to everything that goes on in the scene, even if it’s not the actor.
Meet: Randall Einhorn, ‘Office Fees’ Camera Operator
When Fisher was interviewed by NPR in 2008, she was asked about her appearance Office The artists give the marrow. Are they looking at a real person?
“Is there an actor behind whom you can kind, like, communicate?” Asked host Terry Gross. “Or is it just me with a camera person?”
It was based on the scene.
“Well, there are two different scenarios,” Fisher replied. “When we’re just shooting this show and it’s a scene, my camera operator is a guy named Randall Einhorn. And he is our director of photography. And we’ll look at it, we’ll look at it, or we’ll look at it in the camera. And he has become another character or another actor in the show for us. So, we really work with it. “
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Over the years, Einhorn became a real root for Palm’s character. He always smiled when she smiled at him.
“It’s really beautiful – whenever the camera smiles at me, Randall can’t help but smile back,” he said. “That guy, Randall, smiles at you when he holds my hand. And there are scenes we’ve done that are really touching. And you’ll see Randall, and he will be, you know, kind of bored. “
In their Talking Head interview, the ‘The Fish’ cast spoke to the director
Office Dunder is full of talk-head interviews with Mifflin employees. They are the ones we learn how the characters really feel about things. They’re also goldmen for bits. When the actors shot their interviews, they were actually talking to the episode director.
“When we shoot our talking heads – our interview segments – the director of the episode serves as our documentary for those weeks,” Fisher explains. “Some directors, we return them again, and again and again.”
One director that Fisher specifically connected to was Ken Quapis.
“He directed our first episode, and he comes back every year and directs a few episodes. And last year, he did the final directing. And he has always taken a special interest in Pum and his travels. So, I feel very close to him. ‘
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During one of the episodes, Pam tore him apart during the main interview.
“Jim entered the conference room while Pam was giving the interview, and at the end I turned to the camera when she asked him on a date. And the moment they used it, the moment I was about to explode. “And the reason I got bored was because when I looked at the back camera, I saw Ken Kppis. And that – there were tears in his eyes. And he smiled at me and winked at me a little, as if it were true. Finally got what you wanted, sweetie. ”
“And that was just, oh, that was a really powerful moment between me and the director,” he continued. “So it’s interesting. There are a lot of acting in shows that are with our crew members… you know, it doesn’t usually happen when you make a movie or a television show. “
