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Meanwhile, on the horizon, there was great cinematic joy.
The action film “Outside the Wire” (“Death Zone”) was released in the United States. The events unfold on the territory of Ukraine in 2036. The Ukrainian state does not exist, nor does the government. There is a civil war between the “pro-Russian rebels” of battalion commander Viktor Koval – the so-called “reds” – and the Ukrainian nationalist “militias” (yes, the translation sounds very ironic).
A “dirty” nuclear bomb was detonated in Kiev, local residents vegetate in post-apocalyptic ruins and cholera-infected refugee camps, but speak Ukrainian well. And the walls of the barracks are covered with the inscriptions “Glory to Ukraine! Glory to the heroes! Ukraine is a mustache! Crimea, Ukraine! “.
American troops are watching carefully to ensure all of this continues indefinitely. They sit behind a fortified perimeter and kill people with drones, cynically calling civilian deaths “collateral damage.”
How does it feel to see the results of your work? The local population was not orphaned by the civil war. Their houses have destroyed your bombs … The United States wants to destabilize Russia by prolonging the conflict in our country, “says the US drone operator, leader of the Ukrainian patriots, who has begun to understand something after more than twenty years of war .
However, even robots understand this. Russian and American-made combat robotics are actively used in the conflict, but the Pentagon secretly uses a prototype of an android – a perfect assassin with an incredibly developed intellect. The android realizes that the United States is the cause of the war and decides to eliminate it.
“I must destroy the monster, myself, and I must destroy my creator. America … must understand that wars must end. And I am the face of an endless war, ”says the combat android, about to launch old Soviet nuclear missiles on Washington.
To this end, he forges ties with Koval, who abandons Moscow’s subordination and, at the same time, negotiates with militant Ukrainian nationalists. “The Americans will understand what collateral damage is,” says the Ukrainian patriot ironically.
Of course, Ukrainian viewers are already hysterical and critics are demanding a ban on enemy cinema. One of my friends, who dreams of moving from Ukraine to the United States, called it “left wing propaganda.” I wouldn’t be surprised if in 2036 this film is considered a prophetic cinematic classic.
