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Howard is especially good at giving satisfactory tributes. With “Sanctuary”, Howard gave us Kurosawa Seven Samurai On an alien planet. Written by Favreau, this episode has a strong characteristic and stake for Dean Desarin, a peaceful town and a village where Omera symbolizes life if he leaves the prey of bounty. The chemistry, scene-setting and action between Omera and Din (this episode also features MMA fighter Gina Carano as Cara Dunn) showcases it vigorously. It’s not exactly original, as it draws from classic samurai films, Star Wars Himself, and a host of other stories to create a dive fight against a higher mechanical enemy, but Howard’s direction – especially at night during the climax of the war, with his AT-ST, bright lights and fire sparks and thick shadows – is the first episode of the show The most memorable episode remains
Her season two episodes “The Harris” (also written by Favor au) handles Star Wars Influence in different ways: By directly combining the look and feel of the episode with the second part of the scattered saga. Howard makes the first live-action appearance of the animated character Bo-Cotton Kriz, who is a Mandalarian warrior. Clone Wars, And directs the action on the screen as it nodes towards the animated series: mandalas swaying in the sky from jet packs, exchanging blaster fire on a long hallway, gravity-defying maneuver to get into an enemy ship. In this episode the idea of becoming an armed warrior against an overwhelming number is fully embraced, it is often seen in the setup animated series.
Howard has a lot of time to learn Star Wars Works, of course. She is the daughter of Ron Howard, a longtime collaborator of Lucas, who also directed Solo: A Star Wars Story. In a behind-the-scenes interview Disney Gallery: The Mandlorian, Tells the story of having dinner with her father Lucas and Kurosawa when she was five-six years old.
Like Filoni, Howard learned directly from Lucas as an adult. He overshadowed his father Solo And saw the importance of collaboration on Lucas Willow.
“People are just in everything, give everything, own it, own the process, and then, like,‘ your turn, ’” he told Variety in 2019 about directing. The Mandlorian. “It’s very fun and grounding and he never thinks about ego, because that’s all Star Wars, Which it must be. “
