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This is an example of sentence alignment, it is when two main theorems happen without punctuation, like points or conjunctions like and and but. In literary contexts, such as when August Strindberg uses the sentence line as a stylistic approach, it is called asyndes. In the story “The Doll House,” she uses the trick in a furious speech defending conservative gender roles. What could be stand-alone phrases are joined by commas: “But he didn’t care, he wouldn’t be out until one.”
When students rate the bets, it is not considered that good. In the middle stage, the order of the sentences may be due to the fact that they do not yet consider the sentences as a grammatical unit. Instead, writing is closer to spoken language. At this age, it’s not uncommon for the main sets to be stacked on top of each other – it was Friday night, we were going to soccer practice, it was raining all the time.
Teachers often spend a lot of time making students stop reading sentences. The purpose is to teach them the rules of written language. But that is not an absolute rule. Students are also often told that it is forbidden to start sentences with y and but. This type of pedagogical lies is common in teaching. Both the sentence line and the introductory line and, however, can be effective style grips.
In high school students have generally fine-tuned their writing. Philippe Collberg, a linguist at Lund University, shows in a new dissertation that they actually rate the radar in the same way as August Strindberg. Not all theorems are combined. In many cases, they are part of a narrative-technical ensemble where they hook each other in content: she would free herself, never feel inferior again. The repetition of it is a stylistic device that emphasizes the connection between the movements and illustrates a later development.
Even professional writers rate the radar. Gripping is common for reproducing spoken language. You can do what feels like an exhalation – this record is more personal, I did it for my own good.
Batch rowing is as small a taboo as the starter and the but. This is exactly what August Strindberg delights in. In the tale, he frenzied radically hits and uses 83 men and 292 y. The style of “The Dollhouse” is so harsh that it almost becomes a parody. But it probably feels like a single angry breath.
Anders Svensson is the editor-in-chief of Språktidningen
