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STefan Larsson has gone from clarity to clarity, he has been director of the Danish Åhus Theater and the Betty Nansen stage in Copenhagen, he has been artistically responsible in Elverket, Dramaten and has created a series of productions where the ensemble usually shines. For some time he has been a theater director at the National Stage in Bergen, Norway, where he continues to develop the aesthetics that began in Dramaten with his interpretation of “Linje Lusta” with, among others, Livia Millhagen, who received the Thalia award from SvD for your effort.
“Uncle Vanja” is one piece that time has made even blacker. His themes are increasingly relevant: climate crisis, alienation, self-centeredness and inability to communicate. It is as if the present was inspired by the dystopia that Chekhov wrote more than 120 years ago. On a Russian farm, young Sonja and her uncle Vanja fight to make farming profitable: to send money to Sonja’s father, who is a little more academic. He appears on the farm with his new wife Jelena. The plot also includes Astrov, a depressed village doctor who maps what happens to nature. All are prisoners in their own perspective.
