One of Esther Maria Bjørneboe’s early assignments, brought back forgotten memories of a family tragedy



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It has been based on the most important demands of Norway for almost 20 years. For every line he does, he feels more like the characters in his great-uncle’s novel.

  • Geir svardal

    Journalist (Adresseavisen)

The Orderud case and the murder of Benjamin Hermansen. Nokas, Eirik Jensen, and Young Guns. July 22 in Utøya and the attack on the mosque in Bærum. Munch thieves, drug offenders, pedophiles and a handful of other abusers with different orientations.

Esther Maria Bjørneboe has drawn what can creep in and out of the accused, in all the most spectacular trials of this century.

His court drawings, whether they have been featured in Dagbladet, Aftenposten, Morgenbladet or NRK, are a journey back in time in modern Norwegian criminal history. The parallel with Jens Bjørneboe’s anonymous narrator in The moment of freedom, the servant of justice who carefully kept her records of the evils of humanity, is imminent, also for her.

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