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Among them are two great poems by Laura Kromalcaitė and Ieva Toleikytė, the second book by the poet Tomas Petrulis, Vytautas Rubavičius that returns with poetry fourteen years later, the poet Dainius Dirgėla and its formats, and a poem by the brilliant memory of the writer Jolita Skablauskaitė .
Tomás Petrulis. Sterile
The texts in the second collection of poetry “Sterili” by Tomás Petrulis (painter Jurgis Griškevičius) arise from the tension between the sacred and blasphemy, faith and disbelief, unable to fully choose one or the other, constantly on the move, migrating between these poles. Texts, often based on language games, erotic, pornographic and everyday images, constantly move from one pole to another. But none of them stays. Finally, language itself remains as a medium through which time and space extend. The “Sterili” collection is complemented by several poems selected by the poet from his first book “Noise Snake” published only in electronic format.
2017 T. Petrulis’ first collection of poetry “The Serpent of Noise” (published by the electronic book publisher “Naujas vardu”) did not go unnoticed. The book fell into the most creative book of 2017 compiled by the Lithuanian Institute of Literature and Folklore. Book Twelve was also included in 2018. Book of the Year Election Five in the Poetry category.
Ieva Toleikytė. Red slippery palace
“Red Slippery Palace” (artist Deimantė Rybakovienė) is the first poetry book by Ieva Toleikytė (in 2009, the collection of her short stories “Mustard House” was published in the series “First Book”). The book consists of three chapters that take the reader of more personal context poems to broader ones. The dotted narrative line allows the book to be read as a story of maturity, free from various illusions, social and existential fears.
The author’s poems are close to the tradition of confessional poetry, emphasizing the value of personal experience. The human relationship with other living things stands out. Therefore, in addition to the human (in) ability to love, issues such as meat consumption, pollution, climate change and ecological responsibility contribute.
Laura Kromalcaitė. We have never been here
Laura Kromalcaitė – “First Book” Contest organized by the Writers’ Union Publishing House in 2020. Winner of the poetry category. “We Were Never Here” (the cover uses an illustration by Eglė Mameniškytė), the author’s first book. “I was born in Kaunas, but I spent most of my life in Marijampolė. On the way to school, I wrote some of the poems in this book. At that time there was a river, a bridge, aggressive young people in homemade shoes and homeless cats ” Sometimes I feel strong feelings in them, apparently for them. it appears in my poems ”, says the young poet.
This book is about memories that often turn into vague and dreamy stories. Over time, the facts and details become distorted, people and animals change until they no longer understand what really happened and what you invented. Now these characters have established themselves in their campsites in pages, words, breaks: they all bear witness to the most important inevitability: meetings, divorces, death. Over a safe distance between you and every day. And about that feeling that maybe we’ve never really been here. In the end, who will prove otherwise? “L. Kromalcaitė says of the debut book.
Vytautas Rubavičius. Flex Shadow: Midnight
According to the winner of the National Prize, the poet Antanas A.Jonynas, the poetry of V.Rubavičius, standing as if it were away from the traditional and current “highways” of Lithuanian poetry, uniquely complements the network of “road map “of Lithuanian poetry, which leads to visits that are not very frequent, but as a result, no less important, interesting and little explored” places of the spirit “.
The poet’s new collection “The Shadow of the Bent: Midnight” (artist Deimantė Rybakovienė) contains poems written over the past fifteen years. The last “Verstas” collection was released in 2006, for which the author earned the laureate title “Poetry Spring”. The new poems are characterized by a complex metaphor of images, a sound expression based on the rhythm of pronunciation. The fragments and intonations of the narrative are inevitable, and some poems refer to memories that attempt to capture moments of time that are associated with the warnings of lived eternity. The moment of the poem, in which the visual content of survival accumulates, interrupts the flow of everyday life and takes the form of a circle, hoping that it will also be remembered in the reader’s feelings.
Dainius Dirgėla. 2D and other formats
In his new poetry book “2D and other formats” (artist Deimantė Rybakovienė), Dainius Dirgėla creates a world of poetic paradox out of fragments of everyday life, playfully and ironically trying to find manifestations of being in everyday life. Together, looking back to their roots and seeking their personal relationship with the modern world.
The poet himself presents the book as follows: “This book is not about geometry, not about the 2D two-dimensional plane described by the ancient Greek mathematician Euclid, defined by the X and Y axes. And not about two-dimensional cartoons or graphics by This book is about the 2D world and experience defines the first letters D of my first and last name. To keep things from looking as one-sided and flat as 2D geometry, there are 3D formats and other poetic formats. “
Jolita Skablauskaitė. Blog pages.
Jolita Skablauskaitė poems help unlock your unique hermetic creative world. Immediately after his first prose book “Only Bright Birds at Night”, he published a collection of poetry “Light, Silence and Longing”, and later J. Skablauskaitė published only in prose.
Poems of various years, written mainly in his hometown of Joniškis, were included in the book “Leaves of a Diary” (artist Deimantė Rybakovienė). Closeness to nature is constantly emphasized: grass rushes across the threshold, multicolored greenery echoes mood swings, mystical landscapes bring sky lights, special blue, golden sunlight, and vibrant summery weather causes ecstasy. The images of the poems are organized as in the paintings: the color lines, the accents, the contrasts merge into a whole, transmit emotions.
The poems of J. Skablauskaitė (1950-2018), the leitmotiv of the bright birds in the night, are more clearly revealed in the poems than in the prose volumes. J. Skablauskaitė has established himself in his homeland, but is not realistic, does not record family stories (his father’s untimely death is marked only by clues), but focuses on the emotional connections and atmosphere of the area. Joniškis’ shopping, garden and details are incorporated into visionary paintings. At night, monsters, ghosts, and near-fashion ghosts play on a single farm. The inactive farm recalls the extinction of the family, the temporality of everything, minority moods obscure the landscapes.
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