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Unique music data
Various sources constantly emphasize the exceptional timbre of V. Daunor’s voice. 15 minutes asked J. Katinaitė to describe what is special about world opera.
“I will say and say that the voice of V. Daunoras is the voice of the century. They don’t fall out of the sky as often and in large numbers, “he said.
In his words, this timbre is rich, rich in color, warm, smooth. “Saulius Sondeckis has said beautifully that there was a kind of enriching vibration of timbre in his voice. Even when you stop singing, you can hear it as some kind of ultrasound. But it is not. tremolo, which is seen as a defect in the voice of the singers. In the end, they are irrational things and it is impossible to explain why this voice is so special.
In his memoirs on the first lessons at the conservatory, V. Daunoras has said:
“The singing lessons started from day one. Peter Oleka asked me to sing and assigned me to the Petrauskas class in Cyprus. Petrauskas was highly respected, received a personal pension, lived in a large house on Čiurliono street. Virgilijus Noreika studied one year higher in his class. There were many good voices among Petrauskas students, but he ruined many good voices. I was among the damaged. “
According to J. Katinaitė, it was a major conflict that contributed to bad relations with the Smetona elite of the Soviet era. After all, K. Petrauskas, being a great star, the first Alfred in Traviata in 1920, from where the history of the Lithuanian National Opera began, was a bad teacher. Yes, V. Daunor was unlucky and dropped out of his class, which was brave at the time. “
