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Adele proved to be a worthy hostess in Saturday night live, bringing great comedic pace and smooth acting skills to 30 Rockefeller Plaza.
SNL It can be a daunting task, especially for performers with no comedy experience. (Certain Hollywood actors, for example, do wonderfully well on the big screen and underperform when thrown at them. SNLtheater of the absurd). But from the moment Adele took the stage for her opening monologue, she felt completely at ease in her new role.
She approached the host concert with the enthusiasm of a rookie and the confidence of a veteran. She modestly explained in her opening monologue why she was hired as a host rather than a musical guest (knowing that the latter would have been more suitable for one of the most famous singers of our time). The reasons? There were two: her new album is not finished yet and she was too “scared” to take on both roles.
Focusing on her hostess duties was the right choice. The 32-year-old, who has appeared twice as a musical guest on the sketch show, once in 2008 and the other in 2015, showed off her comedy range throughout the episode, delivering a seemingly effortless performance that seemed mostly like the peer of the regular cast.
A parody featured her as part of a group of people consulting a psychic in 2019, only to forecast a properly apocalyptic 2020, full of activities pulled from headlines, like trying to rescue the United States Postal Service, canceling air travel. , taking long road trips and being afraid to use public toilets. In another sequence, Adele was a ghost trying to share her tragic story with Pete Davidson’s Chad, an unflappable, impenetrable, and unflappable. The singer reunited with Davidson for another sketch, this time as they played a couple visiting a particularly unforgiving grandmother (Maya Rudolph) outside of her retirement home.
Of course, there was the question of Adele’s singing: were we really going to be deprived of a performance? That was resolved in a SingleThemed parody, in which Adele played a version of herself as a contestant on the dating show, an intense version that turned out to be extremely prone to start singing. The skit was cleverly turned into a medley of sorts, with Adele performing her own hits, including “Someone Like You,” “When We Were Young,” “Hello,” and “Rumor Has It.”
Then came the parody that will probably be remembered as the failure of the night. It starred Adele, Kate McKinnon and Heidi Gardner as three white women advertising what they saw as the wonders of Africa in a fake tourism advertisement. The sketch itself generated mixed reactions on Twitter. It was viewed by many as inappropriate and offensive, lacking in depth and substance (criticism was primarily directed at the parody itself, rather than Adele’s performance). In the same episode, musical guest HER performed with a band wearing T-shirts in support of the ongoing Nigerian “End SARS” protests; some wondered how much he had said about the sequence and his participation in it.
A later parody, a fake ad for “A ** Angel Perfume Jeans,” was definitely end-of-episode material, in the sense that it wasn’t particularly funny. But this is not Adele’s fault, and she managed the play as much as she could, with an acceptable American accent to begin with.
In the chaotic world of SNLWhere brilliance can often lead to confusion, Adele delivered a strong overall performance as a host. She was skillful, personable, and most fundamentally funny, a quality that many talented artists lacked when it came to the coveted role of hostess. Perhaps the best thing about Adele’s performance was that she not Use it for an important announcement, as many expected. There was no new song, no major album news. Adele came to the concert with a job: hosting SNL, and she was the host to it all.
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