Sui Chao’s double-bind intangible cultural heritage is wonderful

Sui Chao’s double-bind intangible cultural heritage is wonderful

Jinyang Author: Yu Liang Li Huankun 2020-11-08

“Guangzhou Chaozhou Intangible Cultural Heritage Exhibition”, Guangzhou Tower, Exhibiting 45 Sets of Boutiques Opens

By Li Huankun, All Media Reporter, Yangcheng Evening News

Photo / video Liang Yu, reporter for Yangcheng Evening News

Exquisitely crafted wide embroidery, plump three-dimensional tidal embroidery; like the broad color of woven golden silk and white jade, or the fashionable color of Chinese painting or hollowed out in porcelain; complex and heavy wide work, colorful Chaozhou wood carving with gold … Guangzhou and Chaozhou is also a national historical and cultural city, and the protection and inheritance of its intangible cultural heritage has written a new chapter in the splendid contemporary development of the lingnan culture.

From November 7 to December 31, in the circular gallery on the first floor of Guangzhou Tower, the two venues jointly held the exhibition of intangible cultural heritage for the first time. Through comparative presentation and exhibition of scenes from Intangible cultural heritage projects, visitors can feel the diversity of Lingnan culture first hand. And wealth.

Visitors admire Guangzhou’s “Picturesque Country” tooth sculpture

Part of Guangzhou Tooth Sculpture “The Picturesque Country”

The total number of boutiques in this exhibition is reported to be 45 sets, Guangzhou 18 sets, and Chaozhou 27 sets. The journalist saw that the works in the exhibition are divided into three categories: embroidery, color and carving. In addition to the display of the works, the differences between the same types of intangible cultural heritage works in the two locations are closely linked to the works to deepen the public’s understanding.

“Cantonese embroidery is a widespread embroidery technique in Guangdong. It is mainly divided into two schools, Guang embroidery and Chao embroidery, which were born in the Tang dynasty …” The display board introduced the difference between Guang embroidery and Chao embroidery, and the reporter turned his attention to the side. In the exhibits, only the Cantonese embroidery work “Red Cotton White Peacock” is seen in cabinet 17. The white peacock has a tail feather with several different colors of white, which makes the tail feather is vivid.

The exquisite wide embroidery work “Red Cotton White Peacock” attracts tourists to stop and take pictures.

The “Golden Dragon Going to Sea” tidal embroidery work in cabinet 18 is raised on both sides, using various thread materials such as gold thread, silver thread, and wool thread. Wu Jieyi, one of the authors of “Cotton Tree Drive and White Peacock” and the heir representative of Guangdong Embroidery (Guangzhou Embroidery), a provincial intangible cultural heritage project, told reporters that “Cotton Tree Drive and White Peacock” uses 18 traditional sewing methods and uses colors and techniques. Features a three-dimensional sense, while tidal embroidery often uses the gold nail cushion floating embroidery method to highlight the three-dimensional sense of work. “We often go to various places to learn the characteristics and techniques of different embroidery methods. Tidal embroidery is a good learning object,” said Wu Jieyi.

Also, there are many differences between porcelain and sculpture. For example, Guangcai used to be an export porcelain, with a complete composition and a magnificent luster, while the color lines of the tides are smooth and elegant; Guangzhou wood carving pays attention to complex and fine decoration, and the image pursues bold and unbridled. Chaozhou wood carving uses multi-layer carvings and gold-lacquered wood carvings. Be unique.

Tidal embroidery “Dragon Ding Tianyue” (left) and “Blessing” (right)

Guangcai “Splendid people on the ground”

Zhong Qian, deputy director of the Intangible Heritage Department of the Guangzhou Municipal Bureau of Culture, Radio, Film and Tourism, said that in addition to showcasing the best products from the two places, there are the most traditional and the latest in the selection of works by various locations, reflecting heritage and development; the exhibition adopts a method of contrast, visitors can intuitively see the characteristics of similar works in the two places. In addition, to create a rich and colorful atmosphere of the intangible heritage of the two places, the exhibition also sets up three artistic scenes of embroidery, color and carving, as well as multiple interactive registration points.

Guangcai “One Hundred Beautiful Pictures”

Tourists admire the exhibits of dental sculptures.

Chaozhou Wood Carving “Returning Full Load”

Visitors admire the enamel displays.

Regarding this exhibition, Zhang Chunlei, Librarian of the Museum of Culture and History of the Guangdong Provincial Government and Vice Chairman of the Expert Committee on Intangible Heritage Protection of the Guangdong Province, said: “It is very significant for Guangzhou and Chaozhou to jointly celebrate exhibitions of intangible cultural heritage using culture as a medium. Chaoshan culture and culture are important parts of Lingnan culture. Through joint exhibitions, they not only demonstrate their respective historical, cultural and artistic characteristics, but also promote the integration and diversity of the Lingnan culture. As the most historical intangible culture Heritage, exhibited in the Guangzhou Tower, the most modern expressive, also strongly interprets that the modernization process of Guangzhou and even Guangdong is based on the excellent traditional Chinese culture. This exhibition will bring the general public and visitors closer together. Different visual impact and richer cultural thinking. “

Publisher: Mu Qing