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In the film there are Vietnamese men, not a rich director who loves girls, they are also mid-season players, or a traitorous husband, a brute force.
Following Vietnamese cinema for about 20 years, marking the resurrection of words Girl jumps from director Le Hoang, the film marks the public’s return to theaters. And since then, I see that most Vietnamese movies only mention women who are important, mainly depicting the destiny of a girl or woman through periods in Vietnamese history from the war to the present.
The male lead, in a true sense of grace and elegance, understanding man, human temperament, talented, talented, civilized, knowledgeable … on screen.
As a person trained and passionate about film production, my concerns continued to haunt me forever.
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Twenty years ago in Vietnamese cinema, the images that the male characters portrayed by screenwriters and directors are just bland comedies, creepy ghosts, strange male characters. sex boy, or the gang that appreciates but knows nothing but kicks and points.
Or the directors, the president of the corporation are beautiful but their performance is so lifeless, they lack investment in research to obtain charisma and knowledge in all aspects like these images in real life.
They all were missing something called a manly aura on screen.
Vietnamese cinema used to have many male protagonists who attracted the charismatic world, whether they were peasant characters, guerrillas, bandits, students or soldiers.
Until now, the character Ba Do in Open fields late folk artist Lam Toi remains a monument in construction and incarnation of character. Viewers cannot forget his natural expression when he transforms into a riverside peasant guerrilla when he is honest, direct, when he passionately loves his wife and children, when he fought bravely with courage. The image of the character, although from time to time, still exudes the strong, strong masculinity of the man in the historical period at that time.
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In the 90s period, viewers fell in love with two actors with the same name Tuan Anh, one was Le Cong Tuan Anh and the other was Le Tuan Anh. A kind and gentle student Necktie, I support a “bad boy” but super cool. Until now, I am still impressed with actor Le Tuan Anh’s signature smile and smoking a cigarette. Compared to contemporaries of male actors, even though they recreate these characteristics, they are still not as “cool” as they are. They are missing something from within.
The pinnacle of the male lead that I love so much that I’m sure millions of older viewers are also fascinated by the character Nguyen Thanh Luan played by the late actor Nguyen Chanh Tin in 8 classic episodes. Back to air bet.
It must be said that he is a typical male lead on the home screen, talented, squid, civilized, calm … Super cool and also extremely masculine. Manhood covers every action of the character. From everyday actions like sitting down to breakfast with your wife or arguing and discussing the times with politicians, or fighting bad intentions. Every action, every eye must say, is not at all to criticize.
How soon will an image like Nguyen Thanh Luan return to the screen? Is it possible that contemporary writers and filmmakers are no longer attracted to polite male characters?
Lam Long
>> The article does not necessarily coincide with the opinions of VnExpress.net. Destination here.
