Twitch does not pay for the songs used on their site. Recording labels want to change that


“Go sorry, it’s your birthday,” he told CNN Business, echoing the song’s opening line. “I mean, I wish I could show you the clip, but of course it’s already been deleted.”

Weller – a former game developer for Telltale Games who has nearly 20,000 followers on Twitch – said he had no idea that videos posted by his fans could make him the target of a copyright infringement claim. Twitch automatically deletes full broadcasts after 60 days, so the clips are all that is left of its old streams.

For years, Twitch has been the Wild West for streaming music, but in recent months it has attracted the attention of record labels as its viewership jumped during the pandemic. In July, Twitch had viewed 1.4 billion hours, up 67% from the same period last year, with 17.6 million views in the music category, according to Stream Elements, a publisher of industry reports.

Twitch has fallen under the control of record labels represented by the RIAA, which holds copyright to millions of songs. In June, the RIAA sent 1,817 copyright notices to Twitch users. Prior to the June crackdown, only 710 such notifications had been issued to Twitch users since the association began sending out messages in 2017.

Is it illegal to stream music on Twitch? Designers may argue that based on how little music is used and the context of the stream, some music streaming should be considered as fair use and therefore not illegal. But the RIAA said it looks to see if a clip can be used honestly before sending out its messages.

Twitch user Ryann Weller.
On Twitch, users can record highlights of livestreams they watch, which are then stored in the streamers’ channels. The service operates on a three strike rule. Initial notice warns users that “if this is your third copyright strike, your account is now terminated.” Users can appeal the decision.

“Mentally and emotionally, I’ve been a freaking wreck,” Weller said. “If I get two more, I’ll lose my existence. I’ve already told my church that if I get another strike, I’ll have to go ahead and basically nuke everything.” Twitch is his primary source of income and although he declined to discuss how much he makes, “I will say we are capable, but barely.”

For more than two decades, the RIAA and the International Federation of Phonographic Industries – representing labels that include Universal, Warner Music Group, and Sony, among others – have used the Digital Millennium Copyright Act to assert their copyrights. maintain protected music. The 1998 law made it illegal to freely distribute or duplicate digitally copyrighted works.

Copyright may infringe copyright against any online service provider if its content is used without permission.

Instagram Live and YouTube have licensing agreements in place with record labels, and compensate the artists whose music on their platforms is artists. However, Twitch does not have such an arrangement in place.

RIAA CEO Mitch Glazier said he “has no idea” why Amazon, which has its own streaming service for Amazon Music, pays artists for their work on that platform, while Twitch does not. “The hope is that Twitch will begin to respect the work of artists and understand that if they are going to use their music on their platform, then they have to pay for their work,” he said.

The notices put individual users’ accounts at risk, but do not come with financial penalties.

“This is not about the users on Twitch,” Glazier said. “This is specific to the fact that Twitch, unlike its competitors, does not cover music compensation, and instead imposes onus on its users.”

The sector group uses an automated process to scan Twitch for video clips that contain infringing music, but any offensive clips are reviewed by people who check to see if the music is copyrighted before sending a notification for transmission, added Glazier. Users can also make twake decisions about takedown.

Why June?

Video Game Advocate Ryan Morrison, CEO of talent agency Evolution, which represents pro-sports players and Twitch content creators, said his clients had been in contact with contacts since early June when they began receiving DMCA messages. “What I really believe happened is that these record companies have only recently really caught wind of what Twitch is and saw the money opportunity there,” he said.

Record labels began talks with Twitch in late 2018 to form a strategic partnership, said a source familiar with the talks between Twitch and the music industry. But the talks were stopped earlier this year, and now the labels are printing on the platform’s content creators, the source said, adding “we were the ones approaching them [Twitch,] and it was a one-way conversation. “

The bottom line for record labels is, according to the source, that Twitch is an emerging music platform, with many opportunities to integrate music with copyright, if only Twitch would collaborate.

On June 8, Twitch tweeted about a “sudden influx of DMCA requests for background music clips from 2017-19. If you are unsure about rights to audio in past streams, we advise you to remove these clips,” he said. tweet. “We adhere to the DMCA, which requires us to take action on content and streamer accounts after being notified by rights holders, as happened this week.”

Following contact in June by CNN Business on June 10, the platform announced via Twitter that it was expanding its use of “Audible Magic”, a product that Twitch uses to identify clips “that may contain copyrighted music and delete them for you” without punishment. “

Twitch terminates the accounts of repeat offenders and “may, in its sole discretion” restrict access to its service or terminate an account, notwithstanding repeated infringements, it states in its DMCA guidelines.

Twitch declined to comment outside of his tweets. In a tweet on June 7, the company’s chief creative officer Marcus Graham, who also runs djWheat, said, “This is something that every streamer needs to understand intimately. If you stream content, you know the laws of the Internet. “

In a tweet, Graham described the DMCA as ‘outdated’, saying it was created long before Twitch, YouTube and TikTok existed.

On July 23, Twitch tweeted that users can now download individual clips to save them, and delete all their clips with a single click. Jeremy Forrester, chief creative officer at Twitch, tweeted that they were still working on tools to help users delete infringing clips, while leaving the rest of their archive intact.

Several Twitch streamers told CNN Business that they will not delete their video clips, even those with copyrighted music, and will wait for Twitch to take action against them.

Music is very much Twitch, because artists and DJs use the platform in much larger numbers during the ongoing pandemic. With canceled live performances, many have turned to making beats on livestreams. Some streamers play games like “Beat Saber” and “Just Dance”, where gameplay transitions to music. Still others play some music to diminish audiences in a stream or end an hour-long show.

How streamers respond

Mikayla Neil, a 21-year-old variety streamer in Melbourne, Australia, uses music as a background sound in interviews with viewers. She has nearly 69,000 followers. When she started streaming in February 2018, “I was not clear what was allowed and what was not,” she said.

On June 3, she received a DMCA message for playing Ariana Grande’s mega-hit “7 Rings” in her stream, which was cut by a fan. Twitch automatically deleted it after receiving the takedown messages, and was unable to view it.

Twitch user Macaiyla Edwards.

In Missouri, Macaiyla Edwards, 21, a various streamer known for dating prominent “League of Legends” streamer Tyler1, told CNN Business that she received a DMCA message on June 5 at almost midnight.

“It just blew me away. I never knew you could strike for clips,” said Edwards, who added that she thought full-length videos of past broadcasts would be a problem, but not video clips, which are shorter. “I’m not sure what I’ll do when I get back to streaming, because music plays an enormous part in many streams of people.”

What comes next

Zack, better known as “Asmongold”, is a 29-year-old World of Warcraft streamer based in Austin, Texas, which has 1.6 million followers. He refused to give his last name. On June 6, he received a DMCA message from the RIAA for use of “Cake by the Ocean” by DNCE in a video clip dating from July 2019.

Asmongold said he believed people would not set up a Twitch stream to just listen to music, despite what record labels might argue.

Nobody says “‘You know what, I was going to buy the album, but I’ll be listening to this Twitch stream instead.’ That is not a decision that users make, “he said.

The situation could transform how Twitch handles music and what platforms are left as the Wild West continues for streamers to protect music with copyright on without consequences for now. Caffeine and other emerging live streaming platforms are subject to the same DMCA rules.

In late July, Weller gave CNN Business an update. Since he was a commenting on takedown on Twitch in June, he branched out and started making videos on YouTube. He also pays the electronic dance music label Monstercat a subscription fee to use music from his artists on his Twitch and YouTube videos.

“These DMCA strikes are so scary and damaging. Feel like you could lose your whole existence in a moment,” he said. “I’m now hypersensitive to all copyrighted music and sounds, and have changed anything and everything that could cause a problem.”

.