Let’s Dance (RTL): Crazy comeback by Ilka Bessin – another has to go

Oliver Pocher is also impressed that Ilka Bessin does not let the many critics discourage her: with the comedy colleague, the artist “dances” an important chapter of his life. Your fans are excited and continue to choose Bessin. Newly engaged Laura Müller has to go.

You can find more information about “Let’s Dance” 2020 here

They don’t seem to be calling as many fans, but they don’t seem to be calling: Maybe Laura Müller fans will only give her enough time to prepare for the next wedding of her dreams and the appropriate RTL format. As a framework for their engagement and some progress in the dance, it was definitely enough for “Let’s Dance”, and for the knockout stages also for a striking appeal to unconditional love.

Laura dedicated her part of the “Magic Moments” thematic program to her chosen Michael Wendler (“Every moment with him is magic”) and her own philosophy of great emotions: “There is a suitable lid for every pot.” With dance partner Christian Polanc, the 19-year-old interpreted her marriage proposal, which apparently strengthened her expressiveness: the jury testified to her “growing self-confidence.” In the subsequent Bollywood dance duel, however, the choreographer had them serve a (much older) Pascha fruit, of course, references to real life are excluded.

Perfect or authentic?

Self-confidence is also the theme of her Bollywood competitor Ilka Bessin: for the first time in four years, she reappeared as a cult figure “Cindy aus Marzahn” for her personal “Magic Moment”. For the new edition of the paper, which saved her from an extremely desperate phase of her life, she garnered outstanding support with a mustache and mullet: “Let’s Dance” – and Corona veteran Oliver Pocher as Cindy’s legendary friend “Enrico” .

Was it the concentrated power of comedy, her impressive life story, her authentic personality, or an unwavering fan base that finally helped her progress? Delicate expression and confident technology tend not to be. And so, on the Internet, emotionally directed discussion about “deserved” criteria for progress intensified. Most users should not sympathize.
“The big heart of ‘Let’s Dance'” (Victoria Swarovski) was apparently the least able to capture her renewed success. Bessin contrasts her life experience with the demands of “going out on her own”: “I’ve given up everything before. I won’t do it again.” And in the direction of the quarterfinals, she promises: “You have to tickle me a little, then there will be a lot.”

Let’s dance: Llambi is looking for the winning gene

While his colleague Jorge Gonzáles was presented with a clip hairstyle as a “home office” (Daniel Hartwich), Joachim Llambi was more interested in the lack of fighting spirit of dance couples: “I have too much ‘it was fun’ here and ‘we are one Family. You want to win here! ”

In fact, there are some candidates for the “Dancing Star 2020”, such as the brilliant flamenco dance duel between Moritz Hans (Llambi: “You have the winning gene”) and Luca Hänni. Tijan Njie pretended to be a sensitive performer in her rumba “Magic Moment”, while the elegant Lili Paul-Roncalli was also able to prove herself in street dancing. But does sovereignty on the floor count for more than humor and authentic personality? Regarding this (liking) question, a Facebook user recommended: “This is a dance and entertainment show. If you want to see a dance show, go to Corona to attend an event in the Bundesliga.”

And so, in the end, the end of “Let’s Dance” came for Laura Müller. (Tsch)