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At about 25 minutes into “Zack Snyder’s Justice League,” Wonder Woman (Gal Gadot) breaks into a room full of suicide bombers hell-bent on blowing up the entire building, and the school kids trapped there with them. With just seconds before the bomb explodes, Wonder Woman approaches each terrorist at lightning speed, throwing them hard against the walls, before grabbing the bomb, leaping through the ceiling, and launching it into the air where it explodes, without damaging. to nobody. one.
The same scene played out in roughly the same way in the 2017 theatrical release of “Justice League,” which was completed without the involvement of Zack Snyder. But in the Snyder directorial cut currently airing on HBO Max, there is one crucial and conspicuous difference: When Wonder Woman throws those terrorists against the wall, they land head first and leave a splatter of blood when they collapse to the ground.
Screenshot courtesy of HBO Max
It is one of several cases in which the violence in “Justice League” is bloodier and more violent than the public is used to with superhero movies, which are almost always rated PG-13 and, therefore largely bloodless.
Snyder wanted to go further. “It is a pure exercise in creative freedom,” said the director. Variety this week on Snyder’s cut from “Justice League.” Similar to the “Ultimate Edition” of Snyder’s 2016 film “Batman v Superman: Dawn of Justice,” which was also rated R for a digital and home video release only, Snyder says knowing his movie will air on HBO Max freed him from having to make his “Justice League” work for a PG-13 rating.
“Let’s do it exactly the way we would if there wasn’t a leaderboard,” he said of his team’s thinking. “Let’s not use any second guesswork. Let’s do it the way we think is the best. That was the philosophical approach. “
Part of the reason “Justice League” is so violent is to realistically demonstrate what it would be like to face superheroes who look like gods.
“I always feel like consequence is important to me, that the stakes are high,” Snyder said. “It’s still abstract, you know. These are gods fighting men. Which is also part of the point. We really can’t fight them. Humans can’t really fight them. “
Snyder’s wife and production partner, Deborah Snyder, who was also participating in the interview, chimed in at this point.
“But Zack, I also think some of that is having real repercussions as well,” Deborah Snyder said. “Sometimes in the water or the PG-13 [movies]I think it feels a little more irresponsible in some way because there are no repercussions. “
Zack Snyder agreed. “If they don’t address actual violence as violence, for me, they are lowering the stakes at all levels,” he said. “If the superhero wrecks the car, and the whole car explodes, and you see the guy crawl out of the rubble, and you think, well, it’s still PG-13, the fact that you don’t show up the blood is a technicality. The violence continues. there. I want a real description of the violence. I don’t want to sugarcoat it. “
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