[ad_1]
The Syrian star known today as “Jabal Sheikh Jabal”, through the Stories function of the Instagram application, published clips of the scenes of the first play in which he participated as a non-speaking competitor called “The Good, the Bad and the Beautiful “, indicating that the work of the compass is not easy as many believe and wrote:” Psychological pressure and heaviness “. What the chewers suffer at that stage is heavy even in the mountains. “
He referred to the advice of actor Jamal Al-Ali, who was one of the heroes of the play at the time, along with Andre Skaf, Nidal Siegri and others, and said: “Oh zlama, you are afraid and confused and you don’t have a unity word. He really enjoyed walking things. ”Then Tim took the stage to be his first audience in 1995.
He continued his article: “This was not the only play at that time, but with the completion of the whole year, I had another 3 performances in my pocket, between extras not speaking or extras with a little sentence, namely Ghoul, Makbeth and Yerma, and the last one was a performance for graduating fourth year students, under the supervision of Professor Ghassan Masoud, I was only responsible for props. “
In the article written and published by CNN, he said that he worked for a whole year in the national theater, describing it as a school and the year of “riches”, after doing many tasks away from acting, such as running the stage, decorating, illuminate and even clean.
He boldly asserted that the National Theater Committee rejected it when it was first introduced, indicating that this refusal increased his determination to enter the Higher Institute of Dramatic Arts in Damascus. His relationship with the institute was something like “a spiritual disease that calls me.”
On his actual start, he said it was with Syrian director Hatem Ali, with whom he presented his most important roles in Syria and abroad.
Hassan also referred to the problems and difficulties faced by the artistic field in Syria during the crisis that began after 2011, during which many Syrian stars, producers and writers were forced to relocate to other countries, and wrote: “The work in Lebanon it has become the gateway for Syrian taste mixed with Lebanese, by standards. New, activated and skillfully managed by the great producer, Sadiq Al-Sabah, to build on this new type, as there have always been elements of harmony and complementarity between the two environments, socially and historically, some of which reflected this artistic type, and they were followed with high proportions, the Baladi audience, and from the corner of the Arab eye, this product appeared. The artistic ensemble is palatable, as if it were the identity of a Levantine country, so to speak, and it was a success.
At the end of his article, the Syrian star expressed his concern about what the situation will be like in the coming years, and asked about the future of the Syrian drama in the absence of new writers, and also asked: “Is there Faraj … and Munjid? “
This article came after the critical post of the Syrian writer Ahmed Kassar, who participated in the writing of the script of the series “The prestige of the answer” and commented on some of the phrases used by the Syrian star and added them to the character of “Jabal” , stating that by writing the character in this part, he tried to remove it from The Stereotype, but Tim’s repetition of some vocabulary interrupted the character.
