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Rogina has matured a lot this year. The star, who in the late 1940s became Sharkia’s daughter in Egypt; And a graduate of the Superior Institute of Dramatic Art, she already knows where to eat her shoulder. Many make mistakes when they think that the “character / performer” needs the character to be “painful” or broken with sad music, dim lights / lights, and a dilapidated house to capture the hearts of the viewers and make them sympathetic to them. that shows the creativity of the performance. Rogina never protested all this, but she did the exact opposite in her character “Fadwa”. She wore colorful / sometimes textured clothing, bright colors. She put on makeup that suits the character, which feels like “the bride of birth,” the Egyptian analogy, meaning that it “abounds” in makeup application, but still maintains a special aesthetic for the character; He did not seem consumed or mobilized. To all this is added the use of two very important points: the first is sound, so the character gives two or three types of sounds. A voice that you use during the dalaa, and you get it from the “answer,” while his angry voice is deep from the “decision” (the answer and the decision is the typeface). Usually, the answer comes strong and strong, while the decision is deep and dark. The simple, calm and confident sound you use when you speak fearfully remains. This was the first aspect. As for the second aspect, it is the many dimensions of her personality and the layers that put her on top of each other to become a “fatwa” of a very complex real character instead of the usual “second” characters of any of the arabic series.
Generally, the second characters in most Arabic strings are secondary to everything the word means. A character without real features, unlike the signs of the writer or director. But “Fadwa” is not the case at all. Here it should be noted that Fadwa’s personality is Rogina’s industry, not the writer (the writer of the series is its director, Mohamed Sami), according to Al-Zahir. Generally, most Arab drama writers don’t care about the second characters. Therefore, we just have to assume that the character “Fadwa” is a complete industry for Rogina. Fadwa tells her story more than once, her personality also appears, her features are very real. She transforms very easily between her mental illnesses and her behaviors: she is a psychopath who hates society and is capable of causing the most horrible crimes with great ease without blinking, sympathizing in seconds with the stage when she rejects injustice and does not accept it . Add to this all her use of popular proverbs, wisdom, and behaviors that fully fit her personality as a teacher (for example, we found her practicing “Tsar” and smoking shisha and others). It also highlights her sick attachment to the man with whom she married Kabir, for example, for which he died and inherited everything. The man she calls “the owner of the loan” and puts in her house an image that may seem very cartoonish, but it makes sense, since she sees it this way: an old man, in white shorts, indifferently smokes shisha; He seems very relaxed / laid back. A maid entered with him, and a “queen” came out of him. Therefore, it is natural that you have this image. She did not deny the man’s merit to her, and thanked him all the time. But that does not prevent, and we can discover this later, that it was Fadwa who killed him because he needed to grow out of his restrictions. Your character is capable of that. The same is true that she is able to break her chains in a way that reminds critically important feminist figures like novels like Susan Pridehead of the famous English novelist Thomas Hardy Jude the obsecure. She takes a lot of personality, in terms of her rebellion against customs and traditions, or Hannah Schmitz from Bernard Schink’s novel (Der Vorleser) for a hand that takes what it wants, whatever it is, similar to Kate Parker than Boney M made famous during the seventies of the last century in His song Ma baker is the leader of the famous criminal family. All of this, Rogina, developed her character to meet them, even in a way that fits the nature of “Fadwa” in the series. She breaks into houses with her husband, Fathi, to get what she wants. She calls her tattoo a punishment for those who try to rob the “customers” of the drugs she sells. Her husband’s brother entered the prison with skillful intelligence and extreme intelligence, and above all she establishes a relationship with her husband’s brother with great nerves as if he did nothing. No, she even goes looking for him when he doesn’t answer her phone calls. In this sense, a deep and layered “Fadwa” personality.
Briefly; Rogina has printed this dramatic season in color, and this is a lot for her. What is required of him is his build-up: using the character a second time if he wants to: What about a prequel where we learn about Fadwa and how you got to what it is? Do we know the owner of the loan and his relationship with Fadwa? What about a back where we see a fatwa in a special story to become the criminal woman in Egypt or in the Arab world? What if she froze the little Fadwa character and starred in a series based on a similar character, but this time in a lead / starring role next year? Certainly, there are many possibilities for Rogina, but the most important thing is not to back down at all, so whoever is able to present such a forbidden effort will not complete the path.
* “Al-Prince”: 12:30 pm at “o. Ace. That. Hello”
13:30 on “Orbit TV Series”
20:00 in the «mother. In Myself. C “
