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The book exposed how to use the visual landscape in vernacular poetry.
Yesterday marked the seventh anniversary of the departure of the “colloquial” poet Ahmed Fouad Negm (1929-2013), which coincided with the announcement of the winner of the “Ahmed Fouad Negm Prize for Egyptian Colloquial Poetry”, which was launched in 2014, and was won by the Egyptian poet and critic Amr Al-Ghazali in the category of “critical poetry studies”. Colloquial “thanks to his study entitled” The use of cinematographic writing mechanisms in Egyptian colloquial poetry. “The book dealt with how to use the visual spectacle in vernacular poetry, according to the development of vernacular poetry from its beginnings to the present The book included an appendix that included, for the first time, the transformation of colloquial poetry into cinematographic settings. The book also discussed the characteristics of the mutual influence between the language of poetry and the language of the cinematographic script, and again posed many questions about poetry as an aesthetic standard for all the writing arts and about the procedures that can be a bridge between the movie script and the Egyptian colloquial poem of various forms and generations. The book also sheds light on the presence of mechanisms of writing in these texts, and most of the time in the Egyptian colloquial poem. The book is the fifth e dition after three collections of poetry and a critical book by Al-Ghazali.
