singers and guests of the final- Corriere.it

01.29 Noemi, it was a somewhat unfortunate San Remo, between several accidents on the road (the technical accident with neffa) and a song that never managed to break through, then Fasma, a great autotune enthusiast, perhaps too much

01. 21 The other Lauro di Sanremo, with his various transformations, Max Gazzé: we have said of the improvised character of the song, but that the Mephistophelic attack as Goblin with Dario Argento is saved.

01.11 The “political” group of the Festival: but The Social State with this parable about musical stardom does not hit the mark like that hymn to precariousness that was “A life on vacation.” Then random, insignificant from start to finish

01.o3 We started with Al Bano & Romina from the underground, we finished with Sonny & Cher from Porta Ticinese: after this San Remo, Coma_Cose is ready to become “the couple” of Italian music.

01.00 Annalisa: On the fifth attempt she would like to try to hit the target, because it seems like a race built to win here. The voice is always there, the song, even on the third listen, who knows …

00.46 Long interlude with Tozzi: the 70s and 80s of our pop flow, then Re Ibra returns for the final farewell, he was, without a doubt, the protagonist of this Festival

00.24The representative of the list: with the Festival already closed, even the most veteran public will have finally learned that it is not a couple of ATMs, but one of the most interesting realities of new Italian pop.

00.10 Dressed as a bride, the very young Madame also leaves San Remo: she likes the song at ease, but she, between wheel benches and very details such as tonight, has undoubtedly been noticed. Then Tomba, together with Pellegrini, takes us back more than thirty years, when on this stage all of Italy was enthusiastic about this stage.

00.04 Achille Lauro, the last painting in which he practically crucifies himself: disruptive and provocative marketing device or ingenious (but at this repetitive point)? It is sown, again, doubt

23.49 Fiorello receives the City of San Remo award like singers and for once, whoever never fails, loses words. The Maneskin are not lacking: let’s not change our mind, they are still one of the great confirmations of this Festival. It is no longer a product of talent, but an authentic and visceral rock’n’roll.

23.44 And the no longer angry Bugo has emancipated himself from the melodrama of “where is”: at the end of his career, the passage from a family novel took shape, bringing us fully back to the puzzled young man you met in the underground clubs Milan many years ago

23.37 How melancholy with Giovanna Botteri: because it reminds us when the pandemic was just beginning, it seemed an exclusive matter for the Chinese and our biggest problem was Bugo assfucked by Morgan # Sanremo2021

23.33 Arisa ends the Festival as she started it: with a song that has failed to gain depth and above all to mark the diversity with respect to her past.

23.22 Another veteran: in this case, however, Orietta Berti won it all with her “Naziskin” and her “Ermal Metal” rather than with the song in competition.

23.06 In the last mile, the best text of the Festival remains that of Willie Peyote: a definitive invective against his generation of macho and commercial rappers, like a hip-hop Battiato. Good Guy.

22.43 At 86, Ornella Vanoni, by her presence of mind and unmatched skill, is much younger than all the competitors in the race. Too bad the absence of the audience really deserved a standing ovation

22.39 Michielin and Fedez: the song was designed to win # Sanremo2021 has been divided, who knows if it reaches the end. What allowed us, however, to appreciate his presence and voice, rare in the national scene.

22.23 Malika Ayane is no longer rarefied, but very dynamic she leaves the witness in the first curtain of the night, Fiorello jokes about the school works and Amadeus holds the snot: the two will no longer be next year, otherwise they would have had Be banned

22.12 Presented by the good Serena Rossi, Colapesce and Dimartino: they leave us as one of the surprises of this Festival, the demonstration of how we can go from indie to pop, without distorting ourselves in commercial drifts

22.01 Extraliscio and Davide Toffolo close in crescendo: at first they seemed jokers, at the end they emerge as musicians, eclectic at the right point.

21.47 Ibra, the Festival bomber, jokes, comic times, has definitely become sympathetic and that “I can’t change my shirt with Achille Lauro because he’s always naked” is another milestone of San Remo 2021. Renga presents: tonight there are no accidents like yesterday, but that is always repeated a bit like “The morning has gold in the mouth” is very uncomfortable

21.44Fulminacci between Francesco De Gregori and Rino Gaetano, borrowing a little from one and a little from the other, but perhaps not finding their way

21.36 He had complained about the evening performances, Ermal Meta, this time he sings at 9.36pm and takes a long recourse: the song was written to win and the charts so far have proved him right.

21.34 The version of Fiorello Little Tony interrupts the hitherto tight tour of the Festival, but does not hurry as in the last days, making fun of those who will come after him and Amadeus who today said enough (“It can only get worse”) and Franceschini whose number reveals (hopefully false …)

21.22 The emotion of having already seen four singers at 21.22, without jokes and jokes, maybe you will not die tonight in front of the television

21.16 The poet of Elisa Isoardi and Salvini, Gio Evan, leaves the Ariston without a trace: Arnica for now remains only a healing product

21.10 Virtual Irama finally convinced: the boy in the end always had the center of attention, despite himself and that slightly ‘electronic vocoder Germany in the early 80’s we will miss him

21.04 Then Gaia, from Brazil to San Remo, in the end the delicacy of the girl prevails over the strength of the melody.

21.00 To Ghemon the hard task of breaking the ice. And that moving walk, a la Sergio Caputo, did not enter the veins of the Festival at the end …

20.53 And we have reached the final, without jokes and wigs this time: Amadeus entrusts the presentation of the last act to the Navy Band and the National Anthem. In short, while voting, competitors and so on, this debut on Pippo Baudo is not bad at all. It promises good durability, especially …