Sanremo 2021, fourth night report cards: Ermal Meta a complaint, social status, precious minutes stolen from sleep, Fasma is almost ready



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Ask the dust on the street, the dust from Liberty Buffet, that damn dusty sawdust, and they’ll tell you yes.Some papers arrive and they are my bulletins from the fourth night of the San Remo Festival. A long march, which I will probably not face in its entirety: the dream will come and, as usual, I will please it.

We threw a first paper there, to enter the Ariston area. Amadeus is in tune and with a more baritone voice than his fellow fortune, the fabulous Fiorello. I’d sing, Amadeus, better than many face singers, if I wanted to (after a few lessons).

PrimaFestival. Sorry to say, but it’s a bad preview. On the other hand, this space, as important as any precursor is, has never been conspicuous by writing, management, or sympathy. A tradition that is confirmed. 5

Annalisa. Ten. It rotates but does not open. 6 1/2

Aiello. Now. Scream a little less than in the first performance. But it is always he who causes that expression that we know well to do on the face painted in Munch’s masterpiece. “Aiello scourge of God PART II”. 4

* According to the British Museum, the interpretation of popular painting may be wrong, because the image clearly represents “a person hearing a scream, not a person screaming”.

Mane. Someone wrote “boys bang, bring metal on stage”. James Hetfield has read it and now he can’t stop crying. Are you happy? We resize 5/6



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