[ad_1]
The 71st San Remo Festival has begun, undoubtedly one of the strangest editions in history: at the time of the pandemic, without an audience, practically shielded, a kermesse in a cage that from the beginning seems to have already marked a moment of relaxation and relief. at such a dramatic time for the country. Even if Covid wasn’t left out of the door: see the Irama case, at risk of exclusion because a member of its staff tested positive. But that was how the first night passed, minute by minute, between the revelation of Matilda De Angelis and an Ibra at ease even on the Ariston stage.
1.26 And here is the provisional ranking, prepared by the opinion poll jury: choose Annalisa, Noemi in second place and Fasma third. Here ends the first night of the battleship San Remo. But it didn’t seem so far away.
1.15 The Police Band is certainly commendable, but why make it play at this time, instead of whistling penalties (quoted by Ibra) with the provisional ranking?
1.05 And we are the last competitor: another devotee of Fasma’s autotune, but beyond this, a little bit of ‘Ultimo, a little’ by Achille Lauro (in the voice means), it is not clear in which direction he is taking
1.01 Francesco Renga: as always, he shows off his upper uvula and forgets the text a bit. And speaking of always, you lose track of how many times he says it in this When I find you
00.57 Diodato, in addition to songs, is always a lively intelligence and a rare sensitivity.
00.44 Annalisa, a thousand-year-old problem: she may have become a vampire over time, but like San Remo in the past, a song that is always beautiful is not accompanied by an equally effective song.
00.38 Here are Coma_Cose, preceded by very positive reviews: Al Bano and Romina from the underground correspond to expectations, a song that works and voices that mix very well
00.33 Matilda proves to be versatile: even with Anna Oxa’s clothes (and in the uvula) she doesn’t look bad next to Fiorello Leali
00.23 Even the telephone gag between Amadeus and Fiorello seems to have the precise purpose of lengthening the soup: once again, you have to coincide with Ibra, these extras seem to never end
00.10 Ghemon, even with this long-haired aura, always refined, the song for a while ‘impalpable
00.06Ibra is more and more master of the stage, especially when Amadeus agitates about the infinite duration of its Festivals (in the meantime you can see here the report cards of our correspondents on his performance and on those of all the other protagonists of the Festival)
00.01 Here are the Maneskin: rock’n’roll definitely in attendance, a song that will stick in your head with that crazy mantra
23.47 Matilda De Angelis is back: the 25-year-old shows a mastery of the stage and a presence of mind that is not indifferent, launching herself in a monologue about the kiss that starts well, although it may take a little time.
23.39 The Fiorello-Amadeus-Ibra trio reform to welcome Madame, an 18-year-old female rap revelation – the Swede seems strangely intimidated. Like the girl: here too many autotunes that hide the song at the end.
23.30 One of the recent protagonists of this stage, Achille Lauro, returns: the Bowie-style entertainment no longer has the disruptive effect of last year
23.15 Fiorello throws himself into a very long gag on his toes – this time it seems a bit tiring and definitely full of time
23.10 Naomi: see Arisa, see Max Gazz. Nobody, especially among the old woman, seemed to dare for now, going to records already known
23.08 Amadeus gets serious and remembers Zaki’s unjust arrest in Egypt: He risks a 45-year prison sentence: as citizens and civilians we can only hope that Patrick is free as soon as possible and can resume his studies in his Bologna. very important that you do it in a planetary setting like this
23.02 Ibra returns, a little puckered and a little amused as he watches Max Gazz in Leonardo’s version presenting a classic piece of his in a daze, this Pharmacist goes up and down. But it shows more to put it than the piece.
22.44 Our Lady of song and rock’n’roll: Loredana Bert is eternal and she eats the stage like ten, twenty, thirty, forty years ago. And some slippage in the playback of the new track is also forgiven.
22.37 Michielin-Fedez (joined by a remote tape to respect the distance, he will eventually move), one of the most anticipated couples of this Festival: in general it seems a bit confusing piece, his autotune does not compensate too well with his voice
22.33 The cunning of the applause, announced almost quietly, worked: you hardly notice that the audience is not there (in addition to the fact that the empty chairs are never framed)
22.24 The pandemic flares up again at the Festival: Alessia Bonari, the symbolic nurse of Covid, reminds us that it has been a difficult year and that there is still much to do: Let’s not lower our guard. And Amadeus reminds us that vaccines have not yet arrived and precautions must always be taken.
22.19 Aiello: it starts well, then for this screaming look prevails over everything else and the song is forgotten
22.12 Ibra’s long awaited moment. Who presents himself in his own way, boastful and joking, showing an air of entertainer that we did not know (I make the rules) and dictating the times to Amadeus. The approach works. And it is very beautiful.
22.10 The Sicilian couple, very underground, Dimartino-Colapesce (date preferred by the bookmakers) proves to live up to expectations: fresh piece, very 80 and very well harmonized.
shadow carousel
San Remo 2021, the photos of the first night: Ibra powerful, Fedez’s tears, Achille Lauro feathered
-
San Remo 2021, the photos of the first night: Ibra powerful, Fedez’s tears, Achille Lauro feathered
-
San Remo 2021, the photos of the first night: Ibra powerful, Fedez’s tears, Achille Lauro feathered
-
San Remo 2021, the photos of the first night: Ibra powerful, Fedez’s tears, Achille Lauro feathered
-
San Remo 2021, the photos of the first night: Ibra powerful, Fedez’s tears, Achille Lauro feathered
-
San Remo 2021, the photos of the first night: Ibra powerful, Fedez’s tears, Achille Lauro feathered
21.58 After an hour it is finally the turn of the first competitor who is then a veteran of this stage, Arisa: You could have done more, he seems a little turned towards himself. The voice the same sumptuous as always, the song too similar to the others of the past.
21.43 Fiorello rages, joking amiably with Draghi (Merkel with the tie): Amadeus seems to be his shoulder when remembering Diodato’s victory, a year ago. The pandemic had not yet arrived, San Remo was just joy. And the magone gets up, thinking about when the biggest problem may have been the fight between Bugo and Morgan, while last year’s winner tries again with Make noise.
21.29 Folcast and Gaudiano go through the new proposals in the final on Friday: the first seemed in fact very structured, with an important production like that of Tommaso Colliva, well known in the underground world.
21.18 New proposals are flowing: for now nothing to report. And Avincola flows, in addition to the name (and the strange outfit), many references to Tommaso Paradiso. Too many, perhaps.
21.02 The monologue of the armchairs (with Boccaccio’s references) already gives the figure of this Festival: to overcome the impasse in the desert, Fiorello will push the accelerator as hard as possible
20.52 The battleship San Remo kicks off: the ghostly empty room, Amadeus barely represses the excitement East San Remo for the country in trouble. Fortunately, punk rocker Fiorello-Nilla Pizzi (but references to Achille Lauro are also evident) melts the ice.
March 2, 2021 (change March 3, 2021 | 01:50)
© REPRODUCTION RESERVED
[ad_2]