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This week we witnessed the unusual spectacle of the montage in the Lilli gruber of a real aquarium. In which – after Maria Elena Boschi – now too Andrea Orlando it fell perfectly into the barrel fish part.
Looking closely at the mellifluous expression of this former official of the communist party From Spezia we can derive two deductions, one of a general nature and the other of a conjunctural nature: the first is the confirmation of the origin of the Italian city where the conspiratorial syndrome is better and more intensely cultivated, the conspiracy hidden under the cloaks of banalities, anthropologically confirmed by his former partner and fellow citizen Raffaella Shirt.
More linked to today, the certification that the reckless arson attacks the person of the Prime Minister, by Burner-Shack Matteo renzi, they have found unconfessed banks and encouraging per diem even of the most political and polytronist of the Democratic Party.
In short, a kind of “attempt” (read, clumsy coup attempt as a banana republic) that for now cannot go around the other side of the world President Mattarella (If the government falls, we go to the elections), which foreshadows the immediate slaughter of many of these political adventurers without proper papers and a minimum background of consensus to be re-elected and – thus – continue to hang out well paid corridors in twilight of politics understood as hoarding careerism.
On the other hand – still remaining in the Orlando case – his political contributions worthy of mention are not remembered, apart from the thought – as responsible for the justice of his party – of photocopying the proposals. poison in the tail of the lawyer Niccolò Ghedini on the separation of careers of the judges.
Now the young man – known in the same way as Paris Hilton (and toni Negri and Slavoj Žižek: imitate Tony Judt) “famous for being famous” – has launched a vague dissertation on the organizational model established by Conte to manage the funds of the Next Generation, as a justification for the equidistance in Renzi’s attack on the prime minister.
And here, frankly, one laughs at someone’s spectacle, unsuited for the task of running a bar in Sciacchetrà delle Cinque Terre, who toils himself as an organization theorist. A simulation of the joke that suggests two things: pretexts of the arguments put forward and the sad truth that the first assailants of the diligence accused of the euro in Brussels are embedded in this political class.
Then we better understand the reasons why Giuseppe Conte chases the structure to workgroup to manage an operation of epoch dimensions (to save a country that has slid into the abyss for decades) and that the old Cicisbeo Sabino cassese Define “rococo”: doubts about the administrative capacity of the Public Administration, the obvious contempt directed at a political staff of the lowest level.
Furthermore, a solution already widely adopted in the past (at a gigantic level by Renzi) and which follows a wise, as ancient, indication of a lucid statesman like Francesco Saverio Nitti (1868-1953), according to which the inconclusions of a bureaucracy Elephantine, obsessed with the priority of procedures, can be eluded by lean and technocratic structures, called for interventions directed at the logic of Problem resolution.
Confirming the national allergy for macrostructures and the preference for mini units in the art workshop model: we are the country of soloists like Della Robbia, not the “knights of complexity” in Alfred Sloan (mythical organizer of multidivisional General Motors) or to Taiichi Ohno (inventor of the Toyota model).
In any case, the problem is that the supposed tyrant Conte cannot “tyrannize” the material due to excessive minimalism. When “the post-Covid Italy project” should be transformed intoepic of an entire people, who rallies around their leader for a difficult undertaking that is both mobilizing and exciting. Reactivating that consensus that existed in the first phase of the fight against the pandemic. Faced with the misery of the Lilliputians, eager to get their way.
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