Favino in Venice: “We did not invite Salvini and I do not believe that our film on terrorism can be manipulated” – La Stampa



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“We don’t invite him, I think everyone is free to go to the screenings. Knowing your ability to be there at an important moment, I am pleased. But if I have to think in terms of manipulation, I don’t think this is a movie that gives that possibility, it can’t be manipulated. ‘ Thus, Pierfrancesco Favino comments on the announced presence of Matteo Salvini tonight at the Lido at the screening of “Our Father”, the first Italian film in competition at the Venice Film Festival in which the Roman actor is the protagonist directed by Claudio Noce.

“I hope it is not an empty trip. When we see the film, we understand that it is not pro police, just as it is not pro Nap, but rather it is a story of children and children “continues the actor about the announced presence of the leader of the League tonight at the premiere of the film, in the one that the director is inspired by the autobiographical story linked to his father, the target of a terrorist attack in 1976. «We know Salvini’s ability to be in the center, it is a good sign for the film, but I don’t think there is a possibility handling in this case. I did not invite him – Favino reiterates – but none of us has the right to avoid being a moviegoer ».

Favino and the characters of the past

It is “pure chance” that Pierfrancesco Favino in recent times has been reminding us of our past on the screen, historical figures such as Bettino Craxi di Hammamet by Gianni Amelio, the repentant Buscetta del Traitore by Marco Bellocchio or as the opportunistic lawyer of the older years. beautiful by Gabriele Muccino, to Padrenostro’s hero father for whom he is at the Venice Film Festival, protagonist and co-producer of the film that is competing for the Golden Lion and in theaters as of September 24 with Vision. The story directed by Claudio Noce is inspired by the true story of the director, whose father was deputy director of the anti-terrorist section of Lazio and Abruzzo, who escaped from an attack by the Proletarian Armed Nuclei on December 14, 1976 and has since been placed under surveillance.

“This film is a letter to my father, to tell him why I am still afraid today,” Noce tells ANSA, who grew up with the nightmare that the terrorists would finish the job again, breathing the heavy air of those years in the family. Favino is precisely that father, Alfonso Noce in reality, “in whom I also recognized my own, those parents from the past who did not hug you, did not show feelings, did not cry because if they had they would have been” less masculine “and it had to be done. understand them in this way, capture their emotions in secret.

In the relationship between this father and the protagonist son traumatized by the fact, there is much the fresco of the family of the 70s, the one that has not yet changed due to feminism and the demands of equality, that of the parents who were not yet friends of their children. and hid all fragility. Favino is very right, with his firm gestures, that authoritarian look even before authoritarian that many young people of that time knew at home as a form of training. “I don’t hold a grudge against those parents, it was their way of protecting us,” continues Noce, who explains “the very strong emotion of Padrenostro’s private screening in Rome. My father was happy, it was difficult for him to live his emotions, but I understood that he was.

Regarding the tensions of the seventies, Favino says again: “I was a boy with the Tolfa, in flight dresses, I tried to belong to the political tensions of that time, but in reality – says the actor, born in 1969 – “. They are really mine and secularism is instead my extra weapon and that of my companions. “Claudio Noce, with his family, says that he grew up” with fear, the escort was the norm, she mixed with the game and my imagination, but every Once I saw them coming it was a danger sign for me. “Bringing this story to the surface” had to happen sooner or later. “The death that has reappeared in our lives with the pandemic has brought back ancient fears” I have been wearing the mask since February, I am not a denier – concludes Favino – but I hope that a situation of excessive individualism does not arise from this emergency ”.

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