Index – Culture – If those young people are stupid, then the future is in good hands



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A week after the announced premiere date, the Partizán documentary was released, which presents the university occupation of the citizens of the University of Theater and Film Arts.

The title is eloquent:

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Photo: Zoltán Balogh / MTI

Perhaps the strongest phrase that has haunted students since September who have plunged into the unknown with all their responsibilities. Really, who does that if he’s not stupid? Maybe young.

There is no limit until I leave because it is simply not habitable. Anything else that may happen cannot be worse than what is being done. “

The documentary is an incredibly exciting genre, much less manipulable than any other cinema. Of course, everything can be cleverly cut and spoken phrases that strengthen and support the director’s concept can be incorporated. But you always need a main thought that pulls together scenes from hours, days, weeks, or even months. Here, each scene reflects the title. If these are stupid young men, then the future is in good hands.

The film presents moments from the weeks before and after the university occupation, bouncing between the event that marks the center, with each flash approaching that particular September 1, when the student decided to take charge of his destiny.

The main consideration should be to create an atmosphere that is independent of politics or this kind of party politics. I would not be satisfied if Attila Vidnyánszky covered the foot … but rather if this training made sense.

There are many scenes in this documentary that provide insight into the behind-the-scenes secrets without which it was less possible to understand and see what happened. People tend to believe that their own reality is the only reality. This is a completely human and normal idea, but it is not true. Starting in September, the students occupying the university could feel that Vas utca 2 / c was the center of the whole world, and they would all direct their attention to them like Sauron’s own eyes on that ring. This was partially true, as the press also followed the events and reported the events, which anyone could read. But no one knew what was left between the four walls.

This documentary can exactly fill in the gaps that have hitherto been filled with imagination or conjecture in the minds of outside viewers.

  • How did the idea of ​​a university reserve come about?
  • How much did the teachers have to do and say in the decisions of the students?
  • Was everyone as safe as possible?
  • Were the events preceded by common thought or were they improvised?
  • What were the fears of the young people?
  • What is the difference between a demonstration in power and a demonstration against the government?
  • What can be done with the fake news that has appeared?
  • What is worth more, the title you have obtained or can you stay the same and defend the truth?

All these questions are answered by Stupid Youth. They show all the important turning points; when at the beginning of it all, only a few students came up with the idea of ​​what it would mean to have a guard on the roof, people who would take turns every hour, or how two young artisans started their iconic hand masks and how they became the melody of the Cifra palace is a revolutionary start.

They show how exhausting, time consuming and how much attention democracy requires to represent the interests of the masses to the individual. We can see what kind of creativity is needed if they want to protest not just against something, but about something.

It’s a cathartic experience to see the idea of ​​a couple of students running around an entire institution, and then to the point where, the moment they realize it, people who are already outside of them, strangers to them, are behind them. . . This was exactly the case, when thousands of people, forming a chain of life, literally clung to the letter, passing the letter of the principles of university existence through half the city, which went from Vas Street to the Parliament of hand.

Partizan’s film illustrates this process; to get an idea, like a snowball, if you embark on a journey of how you can knock down half a mountain side.

The biggest lesson of an entire hour and forty minutes is that it doesn’t matter if someone’s heart is moving to the right or left, it doesn’t matter if someone is eating sturgeon, cute red buns, or vegan burgers, the will to do is the greater force that brings people together much better, like a pair of forced artificial markers.



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