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Following László Sárosdi’s accusation of harassment of László Marton, award-winning directors Kossuth and Mari Jászai, Áron Molnár, also known as “noÁr”, realized that phenomena previously considered “natural” actually exhausted the concept of sexual abuse, in an interview with Partizan.
Áron Molnár recalled a story as a teenager when, at the age of sixteen, an adult man stood naked in front of him in an apartment while rubbing his hair with a towel. On another occasion, the same man slapped him in a car and said goodbye to his thigh. Although Áron Molnár assures that he knows for sure that this person no longer harasses anyone, he revealed that
the man is still an active actor-director today.
However, only years later did he realize that such scenes were not a feature of the art world, but a crime.
The actor-activist also spoke about his experiences at the Comedy Theater, including the “brutality” witnessed by Enikő Eszenyi. According to him, at the Comedy Theater he initially discovered that Enikő Eszenyi, as a director, brought together particularly exciting things, imagining an intense and impulsive theater. Since then, however, it has completely changed, and
It became a caesarean section, unpredictable, aggressive, brutal, both physically and verbally.
According to him, there was an example of Enikő Eszenyi pulling someone by the ear from one end of the stage to the other, while telling him that:
Can’t you hear what I’m saying? I say diagonal. Wash your ears!
On other occasions, he struck one of the actors with his fist “to achieve the correct effect.”
Áron Molnár also mentioned that neither László Marton nor Gábor Presser spoke against Enikő Eszenyi, although they saw how he behaved. He said that the former director astonished the entire institution and after a while he entered the Teatro de la Comedia with a stomach cramp and the actors tried to avoid having to meet him. Many have turned to alcohol and drugs, and some still go to a psychologist for the abuse they live there.
According to Áron Molnár, Enikő Eszenyi is a symptom of an untreated case, the conditions that sometimes occur in theaters. He cited the director of the Operetta Theater, Kiss-B, as an example. Atilla, who has been accused by various members of the operetta theater staff of covering up sexual harassment and verbal abuse, and who recently became a new professor at the University of Theater and Film Arts.
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