[ad_1]
Ildiko Enyedi In early September, he announced that he would stop teaching at the University of Theater and Motion Picture Arts. In an interview with Magyar Narancs, the Oscar-nominated director of Body and Soul said that he would definitely accompany his film directing class this year until the completion of his graduation film, and if called upon, he would continue to attend any career class to a free course. In such a situation, he said, it should not be considered that students who are now protesting may be at a disadvantage in judging applications later in their careers, because he believes that the middle ground leads to death in danger and in great need.
These kinds of dangers that these young people now face, I think still largely fall into the category that empowers people, not their lives are in danger. If the system remembers the names, then it remembers them. If it’s a risk, you have to live risky!
Said Enyedi, who does not believe that anyone is in a good mood to attack, but believes that there is no choice but to attack in this situation. If they didn’t, the teachers wouldn’t appreciate the fantastic, pure, and hellish energy-seeking effort that students have made and are doing so far.
We have been chasing students for a long time. We learn from them.
Attila Vidnyánszky discovers less and less coherence in his statements.
He has been a politician for a long time. A politician will say the opposite of the same without blinking in a week, if it is useful. Vidnyánszky now alternates between honest delivery and international baggage and background clearance at such a rapid pace that it is slowly untraceable. It’s like shaking a body while driving
Said Enyedi, who was struck when Vidnyánszky apologized By György Karsaibecause for a moment he thought that the National Director had an idea of what he was doing and what he was doing with it. Although the balance of power is not balanced, Ildikó Enyedi remains optimistic and sees the possibility of a good result. He says that everything possible should be done so that people dare to apologize and do not consider it a weakness.
Don’t think they are the losers, but understand the dignity and beauty of it. How beautiful it would be, for example, to have a real and sincere apology for Vidnyansky’s smear campaign. It’s just a small spark, but in the next few years, perhaps as an artist, you can rebuild yourself from it.
Featured image: Gyula Sopronyi / 24.hu
[ad_2]
