Index – Culture – We can go to the theater with Patricia Kovács



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Now we can go to the theater in pajamas, sick, messy. One forward-thinking initiative is the recent creation of Theater TV, which not only helps us viewers during the pandemic to virtually fill empty theater seats, but also elevates the experience of visiting the theater to a new level.

Do not be afraid, the charm of the theater will not disappear with this. The broadcasts are live, so the Here and Now experience is not lost, it is simply transformed.

Difficult situations shape the world, forcing us to seek new solutions. Due to the pandemic, social contact must be kept to a minimum again, but many do not feel comfortable in a crowded theater room. And recent health measures have only exacerbated the situation in theaters, as the government decrees that spectators can only sit in one out of every three seats in auditoriums.

THE AUDIENCE IS NARROW, BUT THE THEATERS MAY OPEN AGAIN – IN THE ONLINE SPACE.

Actor and director Márk Radnai, the brainchild of SzínházTV, experienced the power of streaming years ago at the Bárka Theater. After broadcasting a live performance, they saw in the statistics that they were followed by more than three thousand people from London alone. Even then, he felt that it would be worth expanding the audience with the help of technical achievements.

You can safely enjoy theater performances side by side on your own sofas! Stay home and we will provide you with quality Hungarian performances! Learn more at szinhaztv.com.

Posted by SzínházTV on Wednesday, November 4, 2020

This possibility was relegated to the background for a few years, and theaters did not necessarily feel the need for live broadcasts. But experience during the quarantine has increasingly shown that

Although the door of the theater was closed by the virus, it opened a thousand more.

People who were unable to be present in person in peacetime due to distance, illness or any other reason could also watch theater videos uploaded to theaters.

According to the director of the Katona József Theater, Gábor Máté

This initiative also fills a void because the measures, the virus, not only took away the theatrical experience from the public. Actors are equally necessary to play and act.

In addition to smuggling the spirit of Thalía into the audience’s lounge with professional equipment, six cameras and 4K UHD quality recordings, SzínházTV has an extra added value. Actress Patrícia Kovács will host the Thursday night streaming. This not only allows us to see the piece, but also creates a more direct connection between the viewer and the institution.

Patrícia Kovács talks about the performances, the secrets behind the cameras, talks to the artists and every Thursday night she presents another theatrical area that is basically invisible to the public.

We can take a look at the life of the buffets, see what a redecoration looks like during the break, how they prepare for a quick change or what the hairdresser looks like. We can only see something that is an integral part of the lectures, but so far they have gone unnoticed. Now, on the other hand, they get a bit of attention.

An online press conference moderated by Péter Galambos revealed that the strength of the initiative lies in the fact that a few people who love the profession have joined and are trying to promote the world of theater. They want to give conferences in rural cities, across borders or anywhere in the world, where broadband Internet and technical conditions allow participation.

Tickets for the December performances are now available for purchase on the SzínházTV website. They try to keep the prices lower than theater tickets, but by buying a ticket even the whole family can watch the performance and not even wear a mask, but they can unwrap the candy undisturbed and cough as they please.

The first live broadcast will be on November 12, directed by Tamás Keresztes, directed by Viktor Bodó. Jurányi’s successful production, though he’s been on the show for years, is often impossible to get a ticket. The piece is the joint daughter of Orlai Production Office, Fig Production and Katona József Theater.

(Cover image: MTI / Mónus Márton)



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