Ferenc Callmeyer, one of the most important figures in modern Hungarian architecture, died



[ad_1]

The designer was ninety-two years old.

He passed away on Saturday, October 3 Ferenc Callmeyer The two-time architect Ybl Miklós and Prima award, founding member of the Hungarian Architects Association, first president of the Hungarian Chamber of Architects, correspondent member of the Hungarian Academy of Arts (MMA), one of the most important creators of Hungarian modern architecture.

The man, who is also of Danish, German and Slovak descent, a designer born in Miskolc on April 3, 1928, walked out the door of the Technical University as a recent graduate in 1951, and immediately began working as a guest lecturer and leader of practice there.

Meanwhile, he became an architect for the Office of Agricultural Design (FIELD PLAN), from which he did not leave after its merger with the Industrial Building Design Company (IPARTERV) in 1955. In 1956, at just twenty-eight years old, he received The profession’s highest Hungarian award, Ybl-djíat, for its agricultural water tower design inspired by windmills and for the office building of the Kőbánya Pharmaceutical Factory. Nearby, under the arcades of the Ministry of Agriculture, he saw the barrage from Kossuth Square on the bloody Thursday of the third day of the revolution. A monument of bronze spheres designed by him on the wall has been preserved on the site since 2001.

After the fighting, he was able to restore the Rókus Chapel, but his career did not stop at the water towers, office buildings and restorations, as Callmeyer, referred to only as Master CöFö by his students, became one of the most important architectural thinkers and architects of the Kádár era. Masses of professional articles and educational books not only related to the profession are connected to his name, but he also scattered Hungary with iconic buildings.

“A bad building is easy to describe and articulate. A good building is very difficult. I stay there, I love you and I won’t be able to tell you why. “- conquered.

In addition to his most cited works, the Glass House in Badacsony (1959) and the Tátika Restaurant (1962), and the Rege Presszó in Tihany (1961), which opened as the most representative restaurant on the Hungarian Sea, the László Németh Cultural House . , Tenke with Tibor, With Master Árpád Y Surrounded by Tibor) is also associated with his name, but as a town planner and town planner, as well as a creator of industrial and public buildings (including forty schools), he has also become an important figure in the era of socialism.

Poharazó (1959), Badacsony. Photo: Sándor Bauer / Fortepan

Between 1963 and 1965, he was mentioned as one of the most important figures of brutalism. Ernő Goldfinger Thanks to a scholarship funded by the Institute, he spent two years in England, where he was sentenced, but returned to Hungary, where he became a staff member of the Type Design Institute (1965-1990). After the regime change, like many of his colleagues, he set up his own office: with his son, With László co-directed by Callmeyer and Co. also won the House of the Year award.

Tátika Restaurant (1962), Badacsony. Photo: Gyula Nagy / Fortepan

In 1990, Callmeyer also wanted to run for the office of mayor of Budapest in the colors of the MDF, but the party eventually nominated another candidate. In 1993, he received another Ybl Award for his work, but his awards did not end there: in 2008 he received the Prima Award, and in 2014, the MMA Department of Architecture Award. In 1997 he was elected the first president of the reborn Hungarian Chamber of Architects. He resigned two years later due to scandals surrounding the National Theater design contest, but this did not mean that he retired from the profession.

In his later years, he worked in his own family home in Telki, designing his memoirs and organizing his work, which are available at the Lechner Knowledge Center, which collects materials on Hungarian architecture after 1945.

After the Forum of Architects. Featured image: Solymári / Wikimedia Commons and Bauer Sándor / Fortepan



[ad_2]