[ad_1]
Actress Manal Salama and her daughter were in a traffic accident on El Alamein Road in Wadi Natrun, as a result of the explosion of their car tire while driving. Director Adel Adeeb, husband of actress Manal Salama, said in a special statement to “El Séptimo Día” that his wife and daughter had an accident on the road to El-Alamein, adding: “But the attention of God He saved her and suffered some bruises and was transferred to the nearest hospital to receive the necessary treatment, and we left the hospital half an hour ago. We are currently at home. “
And the actress Manal Salama said in previous statements to “The Seventh Day”: “The series will not live with my father’s robe chasing me in my dreams, because once I screamed for something while shopping in a Beirut store for this series, and everything I tried to tell people that I am a worker in need. ” Much is important, but there is no life for those who are called, because in reality the series will not live in my uncle’s tunic, a very important story that will not be forgotten ”.
He continued: “The combination of the series in some of them is very beautiful, which made it a true story, but the love between us was clear on the screen and there was nothing else between us and each other and all We used to help and serve each other to really appear, and even the first time the show was shown we were surprised by how successful it was. ” At that time, she used to hold seminars for the series, the number of which was more than the number of days of filming for the series itself, because people from all provinces celebrated the success of the series..
On the secret of its success, he said: “The series made a lot of noise because it achieved a dream that exists in every citizen because the journey of the rise of Abdul Ghafoor Al-Barai Abu Jalabiya was cut short until he worked on himself, and had an ambition and an innate intelligence that he knew how to invest, and this is what gave viewers hope, in addition to his follow-up of his moral education. For his children, and despite his strength as a merchant, but he is weak in the face of the wishes of his children, which confirms that the viewer loved Abdul Ghafour Al-Barai because he compared the Egyptian father with diligence, but that simplicity in the decoration and without technology as at that time, the reason for the success was because I felt the characters of people who compared the truth seriously without features. Cosmetic “.
Regarding the scenes of the play, he said: I never forgot the series “I will not live in a father’s robe” but as far as I’m concerned, I was pregnant at that time with my son Ali, so you will come across scenes from Leah they are not quite on my feet or the freak in my head, but my sisters are trying to cope with the signs of pregnancy, specifically in A scene of “Sunni” joy. You won’t see me fully standing, because I was supposed to be a woman at the time. As for the rest of the series, when I got married and went to Khudair’s house, I was really pregnant, and Abla Kamel used to play the mother role with me and she used to bring me milk and honey and tell my cheeks to be fed..
She added: There was a scene of the artist Abla Kamel when she hit someone in us with the chargers, she was afraid to do it for the good of the people, annoying her, or that the audience would hate her, and she killed her, not that all Mothers made this spiral sneaker move, so we were diligently building with some details, and we were asking director Ahmed for permission. Tawfiq, and you will find, in the scenes of Professor Nour El-Sherif, laughing seriously, about the situations and the words that are happening all this..
Regarding the filming location, he said: “No studio is a place that we can call a chicken farm”, or can be described as a “large nest of chicks”, because it is a designated place for poultry farming in the area. from Shibramant, and they took out the poultry and put us in their place, and even the place was isolated with “egg cartons”. And all the interiors were imagined in this place, even the Al-Balah agency.
And about his work with the artist Nour Al-Sharif, he said: This is my spiritual father, and from him I learned the little book in which I write notes about the character or the coat racks so that I do not forget because the series takes a long time, and Mr. Nour was very affectionate to everyone around him, and he knew that art is a team game. Like football, he doesn’t respond to Gul alone, and at his age we don’t feel like Nour al-Sharif and the star of work. He was terribly humble, professional, respectable and self-confident, as well as highly educated.
