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In June 2014, the actor and director Nissim Sharim | visited the studio of True Lies de La Red to review his long career in theater and television, remember his glories, his defeats, and the friends and colleagues he met along the way.
Asked by Jean Philipe Cretton about that item, specifically about whether there was someone with whom he had argued 40 years ago and wanted to reconcile, Sharim recalled Andres Rillón, his colleague on the humorous TV show The Crank, died three years later.
“I don’t know if I want to rebuild the relationship specifically with him, but of course, I would not refuse to rebuild the relationship … Although at the first change he told me that Pinochet was a genius, the break would occur again “Sharim commented.
“Andrés Rillón was a very good friend”added the actor, and recalled the times when they tried to rebuild the bond.
“It was not possible to do it because the suspicions, I admit, were reciprocal. But there was always that thing that ‘you are inventing something to criticize Pinochet’. And, ‘yes, old man: if I could kill Pinochet, I would have killed him at some point, “he confessed.
On whether those political differences could be overcome, the actor exemplified his response with the murder of his colleague’s son at the Ictus Theater, Roberto Parada, one of the victims of the “Degollados Case”.
“No… Your concern is theoretical, but when you lived the moments when the son of your friend and colleague Roberto Parada was beheaded (Jose Manuel Parada), and you saw all the paraphernalia that was produced in the theater where we worked, where Roberto did not want to suspend the performance and dedicate it to his magnificent son, vilely murdered… ”, he said.
“… It is very difficult to rebuild relationships with those who applauded these crimes, and it was not the only crime. I quote you this one because it was the one that I lived directly, “he added about that tragic role of “Spring with a Broken Corner”, a play that the Ictus Theater had on the billboard that March 30, 1985.
“We were on the same stage in a play that anticipated reality, the same thing was happening, with the difference that here (in the play) it happened before we knew it. In the middle of the play, the news came that this was happening ”, he recalled.
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